Instead of fitting into simplified geographical labels, there’s a strong sense of being part of a culture formed in the crossroads of Europe and Asia, shaped by both the legacy of the Ottoman Empire and the reforms of the modern Turkish republic. Many people see themselves as belonging to a distinct Turkish identity.

Hagia Sophia’s Thousand-Year Transformation

Our first stop was the magnificent Hagia Sophia, a structure that embodies Istanbul’s identity more than any other building. Originally constructed by Byzantine Emperor Justinian I between 532 and 537 CE, this architectural marvel has undergone many transformations.

The building’s history reads like a political timeline of empires. For nearly a millennium, it served as the principal cathedral of Eastern Christianity until 1453, when Sultan Mehmed II converted it into a mosque following the Ottoman conquest of Constantinople. The Ottomans didn’t destroy the Christian elements but rather incorporated them into their Islamic architecture, adding minarets, a mihrab, and a minbar while preserving many of the original Byzantine mosaics. Even today it remains the centre of politics, having witnessed protesters unfurling a “Free Palestine” sign, before quickly removing it, presumably for a social media campaign. Other sensitive topics like the Armenian genocide and the population exchange with Greece reflect ongoing struggles with historical memory and national identity. Our guide tended to avoid these questions, due to their political sensitivity.

The transformation continued into the modern era when Mustafa Kemal Atatürk converted it into a museum in 1934, symbolizing Turkey’s secular reforms. For 86 years, it existed as a unique blend of Christian and Islamic heritage until July 2020, when it was reconverted to a mosque. This most recent change sparked international debate, but it ensures that this architectural wonder continues to serve as a living, breathing place of worship rather than merely a historical artifact.

What captures visitors’ attention immediately are the massive circular calligraphic roundels – some of the largest in the Islamic world. These wooden panels, inscribed by the Ottoman calligrapher Kazasker Mustafa İzzet Efendi, display the names of Allah, Prophet Muhammad, the first four caliphs (Abu Bakr, Umar, Uthman, and Ali), and Muhammad’s grandsons Hassan and Hussein.

The Christian mosaics that survive today offer glimpses into Byzantine artistry. During the Ottoman period, many were plastered over but not destroyed, allowing for their later restoration during the museum years.

The Blue Mosque: Six Minarets and an Architectural Controversy

Directly across from Hagia Sophia stands the Sultan Ahmed Mosque, better known as the Blue Mosque, completed in 1616 during the reign of Sultan Ahmed I. The mosque was designed by architect Sedefkar Mehmed Ağa as an imperial show of strength to complement the imposing Hagia Sophia. Its most distinctive feature – six minarets – caused considerable controversy when first built, as only the Prophet’s mosque in Mecca possessed the same number. Unlike Hagia Sophia’s converted structure, the Blue Mosque was purpose-built as a place of Islamic worship.

Minarets serve both functional and symbolic purposes. Their number indicates a mosque’s importance: most mosques have one minaret, significant mosques have two, and only the most important imperial mosques have four or more. Originally, muezzins climbed these towers five times daily to call the faithful to prayer, with the call projecting in all directions from the circular galleries.

The mosque earned its popular name from the more than 20,000 handmade İznik tiles that adorn its interior. These ceramic masterpieces feature intricate designs of tulips, roses, carnations, and lilies in predominantly blue hues, beautifully illuminated by 260 windows. The craftsmanship represents the pinnacle of Ottoman ceramic art, with each tile contributing to a harmonious whole that creates an almost meditative atmosphere.

During our visit, we observed the quiet distribution of Qurans to interested visitors, reflecting the mosque’s role as both a place of worship and cultural exchange.

The Basilica Cistern’s Mysterious Depths

Built in the 6th century during Emperor Justinian I’s reign, this underground marvel was designed to supply water to the Great Palace of Constantinople and Hagia Sophia. The engineering achievement is staggering: 336 marble columns, each approximately 9 meters tall, arranged in 12 rows of 28 columns, supporting the weight of the vaulted ceiling above.

The cistern’s most intriguing features are the Medusa heads serving as column bases. These carved blocks were discovered during restoration work between 1985 and 1987, having remained hidden for centuries.

Several explanations exist for these mysterious sculptures. Some historians believe the heads were intentionally placed upside down to neutralize Medusa’s legendary power to turn viewers to stone. Others suggest they were simply repurposed architectural elements from earlier Roman buildings, positioned for purely structural reasons. A third theory proposes they were placed as protective talismans against evil spirits.

The cistern’s Islamic history reveals an interesting cultural perspective on flowing versus still water. When the Ottomans conquered Constantinople, they largely abandoned the cistern because Islamic tradition considers moving water more spiritually pure than stored water. This cultural preference led to the cistern’s gradual neglect until its rediscovery and restoration in the modern era.

The atmospheric lighting and the sound of water dropping from the ceiling create an almost mystical environment that makes visitors feel like they’re exploring an underground cathedral. The wooden walkways allow close examination of the varied column capitals, some Corinthian, others Ionic or Doric, evidence that the builders sourced materials from diverse ancient structures throughout the empire.

Imperial Opulence: Inside Topkapi Palace

Topkapi Palace served as the primary residence of Ottoman sultans for nearly 400 years, and walking through its courtyards and chambers offers an intimate glimpse into imperial life. The palace complex is vast, containing multiple courtyards, residential quarters, administrative buildings, and the famous Harem, where the sultan’s family and concubines lived in seclusion.

The palace’s Sacred Relics chamber houses one of the world’s most significant collections of Islamic artifacts. These relics were brought to Istanbul in 1517 when Sultan Selim I conquered the holy cities of Mecca and Medina, establishing himself as Caliph. The collection includes items purportedly belonging to Prophet Muhammad himself: strands of hair from his beard, a tooth, his footprint, several swords, and most significantly, the Blessed Mantle (Hırka-i Saadet).

The chamber where these relics are displayed maintains a profound spiritual atmosphere, with an imam continuously reciting Quranic verses, a practice that has continued for centuries.

Whether one believes in the authenticity of these artifacts or not, their historical significance as symbols of Islamic leadership and spiritual authority is undeniable. The scholarly consensus confirms that Prophet Muhammad was indeed a historical figure who lived in western Arabia during the early 7th century CE, supported by contemporary Byzantine, Syrian, and Armenian sources.

The palace also contains remarkable examples of Ottoman craftsmanship and design. The tile work throughout the complex rivals that of Portugal’s Sintra Palace but with distinctly Turkish colour palettes and motifs[highlighted in visitor notes]. The various reception halls, and the sultan’s private chambers each tell stories of ceremony, diplomacy, and daily life in the Ottoman court.

The Harem quarters, often misunderstood as merely the sultan’s private domain, actually functioned as a complex social institution housing the royal family, their servants, and administrators. The intricate tile work, painted ceilings, and carefully designed spaces reveal the sophisticated court culture that governed the Ottoman Empire at its zenith.

A Culinary Disappointment: Fine Dining Falls Short

Our evening took us to a restaurant featured in the Michelin Guide, not a starred establishment, but one included in their recommendations. The experience proved disappointing. The meal began promisingly with traditional Turkish tea, and fresh bread. However, the execution fell short. While I generally like this cuisine, I didn’t enjoy their execution of it.

We began with a mezze platter featuring chickpea yogurt, spicy tomato spreads, stuffed grape leaves, feta cheese, and hummus. It looked good, but Each dish supposedly carried historical Ottoman connections, but the preparation lacked finesse.

All red meat was cooked well-done, reflecting traditional Turkish preferences that prioritize food safety over texture. While this cooking style has deep cultural roots, this part I had trouble getting used to.

I did enjoy the restaurant’s attempt to connect each dish to Ottoman history. The finale of apple tea was genuinely excellent. Even with the historical ambiance and cultural storytelling, the experience has room for improvement by international standards.

Farewell Moments: The Human Connection

Our most meaningful experiences came not from monuments but from human connections. Saying goodbye to our tour group at a local bar revealed the true value of shared travel experiences. The group had developed strong bonds, inside jokes, and genuine friendships over just a few days. While our tour guide occasionally seemed overwhelmed by the group’s energy and humour, his professionalism and knowledge enhanced our understanding of each site significantly.

I checked in together with one of our tour group members who happen to have the same flight connection as me, but in the process, the attendant mistakenly checked one of her suitcases under my itinerary, and I noticed it too late, causing us to spend time to work with the airline to return her luggage, a process that, thankfully, worked out a day later. I also met an Indian passenger on her first flight ever – traveling from India to Turkey to Frankfurt to Canada.

These moments reminded us that while Istanbul’s historic sites provide the framework for exploration, the people we meet, fellow travelers, guides, and locals enriches sightseeing into genuine cultural exchange. The laughter, shared observations, and collective wonder at ancient achievements created memories that we will carry with us.

Practical Observations: Modern Istanbul’s Challenges

The economic challenges facing Turkey were evident in pricing that approaches American levels despite significantly lower local wages. Inflation rates exceeding 47% in late 2024 have created substantial pressure on both residents and visitors. Unlike some nations, Turkey didn’t engage in excessive pandemic spending; however, several distinct factors have fueled inflation, such as persistent currency devaluation, lowering interest rates in the face of rising prices, and heavy reliance on imported goods (some even highly taxed). The political situation continues to generate debate, with critics arguing that democratic institutions have been weakened while supporters maintain that stability has been preserved.

The taxi situation in Istanbul remains problematic for tourists, with widespread reports of scams including overcharging, longer routes, and “broken” meters. The prevalence of these issues suggests systemic problems that detract from the city’s tourism appeal. Using public transportation or pre-arranged transfers appears advisable for visitors.

Istanbul’s airport stands out for its striking design and enormous scale (albeit with less than sufficient air conditioning), and amenities like business lounges with a mini golf course and a pool table give arriving travellers a strong first impression. However, this impressive gateway doesn’t fully hide the economic and social challenges that many people in Turkey face beyond its sleek halls.

See more of Istanbul here

The Stork Highway of Ancient Rome

Walking through Selçuk’s streets during the ongoing heat wave, we couldn’t help but notice the most unusual sight: massive white storks perched confidently atop Roman aqueduct ruins and modern utility poles alike. These aren’t just random visitors – they’re part of an annual migration pattern that has turned this historic town into Turkey’s unofficial stork capital.

Every March, storks return to Selçuk from their winter homes in sub-Saharan Africa. The storks choose the highest points available for their nests, including the remnants of Byzantine aqueducts that once supplied water to ancient Ephesus. Local authorities have even installed special platforms on utility poles to prevent the birds from electrocution while preserving their traditional nesting sites.

Mysteries of the Multi-Breasted Goddess

Our visit to the Ephesus Museum revealed one of archaeology’s most debated artifacts: a towering statue covered in what appears to be dozens of breasts. This is the famous Artemis of Ephesus, but those protuberances might not be what they seem.

The 292-centimetre-tall statue actually represents a fascinating scholarly controversy. While traditionally interpreted as multiple breasts symbolizing fertility, many experts now believe these oval objects are bull testicles, hung as offerings during sacrificial ceremonies. Some scholars even suggest they could be bee larvae, as bees were sacred to Artemis. What makes this debate particularly intriguing is that none of the “breasts” have nipples – a detail that ancient sculptors, masters of human anatomy, would hardly have overlooked.

This statue likely stood in the Temple of Artemis, one of the Seven Wonders of the Ancient World, making it a tangible connection to one of antiquity’s most celebrated structures. The temple’s destruction by 401 CE means this museum piece represents our closest link to understanding how the ancient world venerated this powerful goddess.

Where Emperors Built Upon Apostles

The ruins of the Basilica of Saint John dominate Ayasoluk Hill, their weathered stones telling a story of imperial ambition, religious devotion, and inevitable decay. Emperor Justinian I commissioned this massive structure between 548 and 565 CE, designing it as both a pilgrimage destination and a worthy monument to house the tomb of John the Apostle.

The basilica measured 428 by 213 feet, making it potentially the seventh-largest church in the world if reconstructed today. Justinian modeled it after the Church of the Holy Apostles in Constantinople, creating a cruciform structure crowned with six domes. The builders incorporated materials from the nearby Temple of Artemis and other Ephesian ruins, recycling ancient marble and stones into Christian architecture.

The basilica’s decline began with Arab raids in the 7th and 8th centuries, which forced the construction of defensive walls around the structure. By 1304, invading Seljuk Turks converted part of the building into a mosque, and in 1402, Tamerlane’s Mongol army destroyed it during their invasion. Earthquakes in the 1360s completed the devastation, leaving the impressive ruins we see today.

A Castle Built on Sacred Ground

Crowning Ayasoluk Hill above the basilica ruins stands a fortress that represents the practical realities of medieval defense. The Ayasoluk Castle, built during the Byzantine era around the 6th century CE, incorporates stones from dismantled Roman buildings, including materials from Ephesian structures.

The castle’s strategic position made it valuable to successive rulers. Seljuk Turks expanded it after conquering the area in 1090, and Ottoman forces later added their own modifications. The fortress enclosed fifteen towers connected by 1.5 kilometres of walls, protecting a small community that included a mosque, cisterns, baths, and residential quarters.

What makes this castle particularly fascinating is its relationship with the basilica below. Rather than destroying the Christian site, medieval builders incorporated it into their defensive strategy, using the basilica’s walls as part of the lower fortress complex. This created unique architecture where Islamic military architecture literally rests upon Christian sacred space.

Divine Intervention at the Neighbourhood Mosque

Our exploration of Selçuk’s religious landscape led us to the İsa Bey Mosque, a remarkable example of 14th-century Anatolian architecture. Built between 1374-75 by Syrian architect Ali ibn el-Dimişki, this mosque demonstrates the transitional period between Seljuk and Ottoman architectural styles.

The mosque’s segregated prayer areas for women represent traditional Islamic practice, though such arrangements can appear restrictive to visitors from different cultural backgrounds. These architectural divisions reflect religious interpretations that prioritize modesty and separate worship spaces, practices that have shaped Islamic religious architecture for centuries.

During our visit, we discovered that the mosque offers free Quran copies to interested visitors – a practice that connects contemporary Islamic outreach with the site’s long history as a religious centre. While there, we met a local man who was especially eager to talk to us about Islam. He explained that he hadn’t actually planned to visit the mosque at that time; he was on his way to complete some errands, but on a whim decided to stop by and pick up a Quran for a friend. Instead, he ran into us and was convinced that our meeting was no coincidence, telling us he believed it was divine intervention.

Our conversation quickly turned philosophical. He earnestly shared his belief that the Quran contains the answers to every question in life, presenting it as the ultimate guide to truth. At one point, he shared a rather striking perspective: he said that people who believe in God are the highest tier of lifeforms, followed by animals, with people who don’t believe, especially those who “act like they are their own god”, ranking below animals. I couldn’t help but laugh internally, realizing that by his definition I must be beneath the neighborhood cats lounging in the sun! He meant no offense, his words were offered with sincerity and a desire to share his worldview. Still, I got the impression he didn’t realize we weren’t religious ourselves, or how his ranking might sound to an outsider.

Echoes of the Population Exchange

Our journey to Şirince village, perched on a hillside 8 kilometres from Selçuk, revealed one of Turkey’s most poignant historical legacies. This mountaintop settlement, originally called Çirkince (meaning “ugly” in Turkish), was supposedly named by its Greek founders to deter other settlers from discovering their mountain paradise.

The village prospered under its Greek Orthodox Christian population, who spoke primarily Turkish despite their religious identity. By 1908-09, over 1,000 houses sheltered Greek families who cultivated vines, tobacco, figs, and olives while maintaining their distinct cultural traditions.

The 1923 Population Exchange between Greece and Turkey devastated Şirince’s established community. This compulsory transfer, formalized in the Convention Concerning the Exchange of Greek and Turkish Populations, displaced approximately 1.6 million people based solely on religious affiliation. Greek Orthodox Christians from Turkish territories moved to Greece, while Muslims from Greece relocated to Turkey. The abandoned houses we encountered represent this traumatic displacement.

The Grandeur and Complexity of Ancient Ephesus

The archaeological site of Ephesus, directly connected to modern Selçuk, represents one of the Mediterranean’s most significant Roman cities. As we walked among its ruins during the intensifying heat wave, the scale and sophistication of this ancient metropolis became immediately apparent. A local restaurant owner’s joke about Efes beer – suggesting we walk a few kilometres toward ancient Ephesus since “Efes” is simply the Turkish name for the ancient city – highlighted how thoroughly this archaeological site integrates with the culture. The beer’s naming represents a modern commercial connection to ancient prestige.

The Temple of Artemis ruins, reduced now to a single reconstructed column, still commanded respect as the remains of one of the Seven Wonders of the Ancient World. Though little survives of this massive structure, which once measured 137 metres long and featured 127 columns each standing 18 metres high, the site’s significance resonates across millennia.

Ephesus declined through a combination of geographical and political factors. The Küçük Menderes River gradually silted up the harbour, cutting the city’s vital connection to maritime trade routes. Natural disasters, including a devastating earthquake in 614 CE, damaged infrastructure repeatedly. The rise of Christianity displaced traditional pagan worship, while Gothic invasions in 262 CE destroyed much of the city, including the Temple of Artemis.

I was captivated by how Ephesus’s grandeur was engineered. The ancients combined brute force and technical innovation. Iron pins and lead clamps held massive marble slabs together, damping seismic shocks and locking the city’s great structures in place (though unlikely they knew how well that method would stand up to an actual earthquake).

Workers used wooden cranes, pulleys, and earth ramps to raise monolithic columns, guiding tonnes of stone into precise positions.

We realized that knowing Latin wouldn’t have helped us decipher most Ephesian inscriptions. The city’s later inscriptions switched entirely to Greek, the region’s lingua franca after Alexander the Great’s conquest. An odd feeling – usually we lament not knowing Latin, but this time, it wouldn’t have helped at all. Amid these weighty ruins, we saw samples of the ichthys fish symbol (colloquially known as the Jesus fish symbol), scratched into ancient stones, symbolizing early Christianity. In Greek, it’s written as ΙΧΘΥΣ, and is sometimes seen abbreviated using a symbol resembling a pizza cut into eight slices.

The Temple That Bridged Empires

Among Ephesus’s countless architectural treasures, the Temple of Hadrian stands as a masterpiece of cultural synthesis. This elegantly proportioned structure, built around 117 CE, demonstrates how Roman architects embraced and transformed Eastern design traditions through its distinctive Syrian arch.

The temple’s facade tells multiple stories through stone. Tyche, goddess of city fortune, crowns the keystone wearing walls as her crown, symbolizing her protection over Ephesian prosperity. Above the inner doorway, a relief of Medusa emerges from acanthus leaves, not the terrifying monster of myth, but a protective figure surrounded by the Mediterranean vegetation that inspired Corinthian column designs.

Roman Domestic Life Preserved in Paint

The Terrace Houses of Ephesus shattered our expectations of ancient Roman domestic architecture. These luxury residences, inhabited by wealthy families from the 1st to 7th centuries CE, revealed that Roman homes were far more colourful and sophisticated than typical stone ruins suggest.

The houses featured extensive frescoed walls with floral motifs, geometric patterns, and figurative scenes painted directly onto plaster surfaces. Archaeologists have carefully restored many of these paintings, revealing the artistic sophistication of domestic Roman decoration. The mosaic floors display intricate geometric and figural designs, demonstrating the high level of craftsmanship available to Ephesian elite. These restorations represent authentic ancient artwork, not modern interpretations.

The houses incorporated sophisticated engineering, including hypocaust heating systems that circulated warm air beneath floors and within walls, and plumbing that provided both hot and cold running water. These amenities matched those available in Roman public baths, demonstrating the luxury standards of Ephesian wealthy families.

The Library That Conquered Death

The Library of Celsus stands as Ephesus’s most iconic structure, and deservedly so. This magnificent building, constructed between 110-135 CE, served the dual purpose of housing scrolls and honouring the dead. Tiberius Julius Aquila commissioned the library as a memorial to his father, Tiberius Julius Celsus Polemaeanus, who had served as Roman consul and proconsul of Asia. The building functioned as both a repository of knowledge, holding approximately 12,000 scrolls, and as Celsus’s mausoleum – his marble sarcophagus rests in a crypt beneath the building.

Fire destroyed the library’s interior around 262 CE, though the façade survived until earthquakes brought it down in the 10th or 11th century. Austrian archaeologists reconstructed the façade between 1970 and 1978, creating the impressive sight that draws crowds today for both daytime visits and evening light shows.

As we left, we saw people lined up for hundreds of meters lining up to see the evening light show – many of them coming in from cruise ships.

See more images from Selçuk and Ancient Ephesus

Troy: Where Legend Meets Archaeological Reality

Standing before the ancient walls of Troy, we grappled with questions that have fascinated scholars and visitors for centuries.

Troy, designated as a UNESCO World Heritage Site in 1998, sits on the mound of Hisarlık in northwestern Turkey, approximately 4.8 kilometres from the Dardanelles. This ancient city served as a crucial bridge between Anatolia and the Mediterranean world for over 4,000 years.

The Oral Tradition Question

One of the most intriguing aspects we discovered was the relationship between Homer’s Iliad and Odyssey and historical fact. These epic poems weren’t initially written documents but rather oral traditions passed down through generations of travelling bards called aoidoi. Archaeological evidence suggests these stories (like the story of the Trojan Horse) were orally composed and performed, likely accompanied by a lyre, sometime in the 8th century BCE before being transcribed.

The poems contain significant embellishment, they’re not non-fiction in the modern sense, but rather traditional tales that wove together historical events, cultural memories, and mythological elements. Modern scholars believe these oral traditions preserved genuine Bronze Age details, including descriptions of weapons, architectural features, and place names that had disappeared by Homer’s time.

The Trojan Horse: Myth or Memory?

While no direct archaeological evidence proves the existence of a wooden horse, the story likely preserves memories of actual siege tactics. Ancient armies did use various deception strategies, and the horse story may represent a folk memory of how Troy ultimately fell, whether through trickery, betrayal, or siege engineering.

The Nine Layers of Time

Troy’s archaeological complexity becomes apparent when examining its nine distinct settlement layers, designated Troy I through IX. Each represents a different period of occupation spanning over 4,000 years, from around 3600 BCE to 500 CE. These layers weren’t built simultaneously but rather represent successive cities constructed atop their predecessors’ ruins.

Troy I, the earliest settlement (3000-2550 BCE), featured massive limestone fortifications. Troy II (2500-2300 BCE) showed remarkable wealth and sophisticated urban planning. Troy VI (1750-1300 BCE) and Troy VIIa (1300-1180 BCE) correspond most closely to the period when the legendary Trojan War would have occurred, showing evidence of violent destruction that aligns with Homer’s narrative.

Construction Mysteries Revealed

The ancient builders demonstrated remarkable engineering skills. They chiselled limestone blocks using bronze tools and wooden wedges, creating walls that incorporated a distinctive “sawtooth” pattern common in Mycenaean architecture. The fortifications reached heights of over 9 metres, with wooden and mudbrick superstructures atop limestone foundations.

Regarding lead pipes, archaeological evidence suggests lead was indeed used in joints and connections of water systems, though the full extent of its use in Troy’s infrastructure remains under investigation. The builders had access to advanced metallurgy, including bronze working and sophisticated water management systems.

Environmental Changes Over Time

Troy’s decline wasn’t solely due to warfare. The ancient city’s strategic position near water sources gradually changed due to natural sedimentation. The coastline shifted over millennia, and what was once a major harbour became landlocked. Climate changes and the silting up of waterways contributed to the city’s eventual abandonment as a major trade centre. The land where the water used to be is now farmland.

We found seashells embedded in the excavated soil, evidence of Troy’s ancient connection to the sea and the geological processes that have reshaped this landscape over thousands of years.

The Troy Museum Experience

Our visit to the recently opened Troy Museum in nearby Tevfikiye village provided essential context for understanding the archaeological site. Tevfikiye, a small village in Çanakkale Province, houses this award-winning museum that opened in 2018 and contains over 2,000 artifacts spanning Troy’s entire history. The striking cube-shaped building, clad in weathering steel, was designed to echo the archaeological excavation process, its height matches the depth of Troy’s excavation layers.

The museum’s interactive displays helped us visualize how the ancient city would have appeared at its height, complete with digital reconstructions of the citadel and lower town. Particularly impressive was the replica of Schliemann’s famous “Treasure of Priam,” the original of which remains in Moscow’s Pushkin Museum.

Ayvalik: A Minor Stop with Major Impact

After the history lesson at Troy, Ayvalik served as a more relaxed interlude in our journey. We made a visit to çöp(m)adam, a social enterprise that demonstrates how traditional communities can embrace innovative solutions to modern challenges. The name itself contains a clever Turkish pun: “çöp” means “garbage” or “trash” in Turkish, while “madam” adopts the French word for “female.” Together, “çöp(m)adam” literally translates to “garbage ladies”, a playful yet meaningful reference to the project’s mission of transforming waste into fashionable accessories.

Founded by American social entrepreneur Tara Chantal Hopkins, çöp(m)adam addresses women’s employment challenges in a country where female workforce participation historically faced cultural barriers. The project employs local women who create unique handbags, accessories, and home goods from recycled materials, including fabric waste from local manufacturers. It provides women with their first salaried employment opportunities, enabling financial independence in a traditionally male-dominated economic environment.

See more photos of Troy here

The ruins contain several temples and plazas central to Mayan religious and civic life dating back to 200-900 AD. Our guide explained that Altun Ha was a vital trading outpost and agricultural hub in its era. We learned that the site gets its name from the Mayan words for “water” and “stone,” likely referring to the stone water reservoirs enabling life in this area.

Wandering through the sprawling ruins, we spotted many of the tropical trees thriving in Belize’s humid climate. Our guide pointed out plants like avocado, and allspice trees that would have sustained the Mayan people centuries ago. I got to sniff a fragrant allspice leaf, though the guide told us not to chew it since it’d cause irritation in the mouth. It made me chew it even more, but I didn’t dare chew it until I got back on the cruise ship, but by then, the leaf had lost its potency.

We also learned more about Mayan concepts of beauty and status. The guide explained that elongated skulls, flattening forehead bones, filing teeth, and inlaid jade flakes signified nobility and were considered highly attractive. The famous Jade Head sculpture found at Altun Ha in the 1960s would have adorned a spiritual leader. Its craftsmanship and 15 pounds of precious greenstone underscored the power and status of its owner in ancient times.

Wandering through the stone temples and plazas of Altun Ha gave us a glimpse into daily and ceremonial life centuries ago. It was eye-opening to visualize the rituals, agriculture, and artifacts underscoring this vital Mayan trade hub. The allspice, and avocado trees surrounding us emphasized the continuity between past and present in this region.

See more of Altun Ha here

Alexander the Great and his general Perdiccas originally founded the city in 331 BC, and the city was eventually conquered by the Romans in 63 BC. Under the Romans, the city prospered from the vast amount of trade moving through the city, and today, the vast ruins are a testament to that.

The city follows standard Roman city planning concepts such as the “cardo maximus”, the idea that the main street of the city is oriented north-south. This was the economic hub of the city. The ruins still show remains of this road.

Despite the city in ruins, it’s still possible to identify the structures that existed. The city used its wealth to build structures like an arch at the entrance of the city dedicated to Roman Emperor Hadrian, a hippodrome for chariot races, and a Temple of Artemis.

More photos of Jerash here