Gibraltar itself represents a geographical and political anomaly, a British Overseas Territory situated on the southern tip of the Iberian Peninsula, just across the Strait of Gibraltar from Morocco. As we drove closer, the landscape transformed completely, and soon we could see what defines the entire region: the Rock of Gibraltar towering massively above everything else, its limestone bulk rising over 400 metres above sea level.

First Glimpse: Europa Point and the Southern Edge

Our initial stop was Europa Point, the southernmost tip of Gibraltar, a flat, rocky headland that marks the boundary between the Atlantic Ocean and the Mediterranean Sea. The point gets its name from the mythological figure Europa.

Near Europa Point sits Gorham’s Cave Complex, a cluster of archaeological sites. The complex consists of caves situated at sea level, each containing archaeological and palaeontological deposits spanning over 100,000 years of Neanderthal occupation. In 2016, this site received UNESCO World Heritage status, earning its designation because of the exceptional evidence it holds about how Neanderthals lived. We tried making a spontaneous visit, only to be turned away as the site operates on an extremely restricted access system, with a three-year waiting list to gain entry for serious visitors. The limited access, while unfortunate for us, reflects the delicate nature of these sites, where any uncontrolled traffic would risk disturbing irreplaceable scientific evidence.

The Monkeys on the Mountain: Encounters with Barbary Macaques

As we ventured toward St Michael’s Cave, ascending the winding paths through the Upper Rock Nature Reserve, we began encountering the Rock’s most famous residents: the Barbary macaques. They represent Europe’s only free-living wild monkey population.

Tourists constantly attempted to feed them, despite clear warnings. The animals have learned to exploit this human generosity, demonstrating remarkable problem-solving by unzipping bags and rifling through pockets in search of food.

The Cathedral Beneath the Rock: St Michael’s Cave

The path to St Michael’s Cave climbs steeply on a well-paved road for thirty minutes before reaching the entrance. Several lookout points along the way made the walk up less of a grind.

The cave system itself is a network of interconnected chambers carved over millions of years by rainwater slowly percolating through limestone. Today, the largest chamber functions as a space for hosted concerts, theatrical productions, and opera performances. The cave derives much of its visual drama from its extensive formations of stalactites and stalagmites – mineral-rich water dripping from the ceiling deposits layer upon layer of dissolved rock, gradually building downward from the roof while simultaneously building upward from the floor. Some stalactites hang like pale icicles; others have fused with stalagmites rising to meet them, creating continuous columns of mineral deposit.

The name derives from a similar grotto in Monte Gargano, Italy, where – according to Catholic tradition – the Archangel Michael made an appearance. This connection explains why the cave carries religious significance despite being fundamentally a geological formation rather than a sacred site in the traditional sense.

An installation called “The Awakening,” a light and sound show, transformed the cave into an additional cultural experience. Within this light installation appears an ethereal figure – an angel formed by the projection mapping technology and the natural rock formations.

A Short Stay

Despite the natural and historical richness of what Gibraltar offers, we didn’t linger longer than a few hours. Tourism in Gibraltar often works this way – the territory is small, and its main attractions cluster around the Rock. Many visitors arrive on day trips from southern Spain, explore the key sites, and then depart. We were no different. We faced a 4.5-hour drive toward Granada, leaving Gibraltar behind and transitioning into the landscapes of inland Andalusia.

See more of Gibraltar here

Stepping onto the grounds of Laodicea felt like entering a secret world. The site was remarkably quiet, with virtually no other visitors in sight. We wandered through millennia of history with an almost eerie sense of solitude, as if the ancient ruins had been preserved exclusively for our exploration. This isolation allowed us to fully appreciate the magnitude and significance of what lay before us without the typical crowds found at more famous archaeological destinations.

The Rich Heritage of Laodicea

Laodicea on the Lycus represents one of Turkey’s most significant archaeological sites, earning its place on the UNESCO World Heritage Tentative List in 2013. Located near the modern city of Denizli in southwestern Turkey, this ancient settlement served as a major crossroads in the Roman Empire. Founded between 261-253 BCE by Antiochus II Theos of the Seleucid Empire, the city was named in honour of his wife, Laodice. Archaeological evidence suggests continuous habitation from approximately 5500 BCE to the seventh century CE, making this site a remarkable window into thousands of years of human civilization.

The city flourished as a major commercial hub during the Roman period, positioned strategically at the crossroads of important trade routes connecting western, central, and southern Anatolia. Laodicea became renowned for its banking services, black wool trade, and medical achievements. The city’s prosperity was legendary – when a devastating earthquake struck in 60 CE, the wealthy inhabitants famously refused financial assistance from the Roman Empire, choosing instead to rebuild using their own resources.

The Monument to Trajan: A Marvel of Imperial Propaganda

Among Laodicea’s most remarkable discoveries is the Monument to Trajan, a masterpiece of Roman sculptural art that commands attention and respect. This extraordinary 3-metre-tall statue, dating to 113 CE, depicts Emperor Marcus Ulpius Traianus in full military regalia, showcasing the artistic sophistication of the Roman Empire at its peak. The statue was discovered in 356 fragments beneath an ancient fountain and has been meticulously reconstructed by archaeologists.

The monument serves as a fascinating example of how Roman emperors used public art to communicate their power and achievements.

A Glimpse of Preserved Ancient Ceilings

One of our most exciting discoveries was encountering preserved ceiling structures, a relatively rare find in ancient archaeological sites.

Most ancient buildings have lost their roofs and upper architectural elements over the millennia, making ceiling remains particularly valuable for understanding original construction techniques and decorative programs.

The Partially Excavated Amphitheatre

Laodicea’s amphitheatre represents an ongoing archaeological project that illustrates the meticulous nature of modern excavation work. Unlike fully restored sites, this partially excavated structure allows visitors to witness archaeology in progress. The amphitheatre reveals the complexity of ancient entertainment venues, with its sophisticated underground systems for staging elaborate performances and spectacles.

The structure demonstrates the Romans’ engineering prowess in creating venues that could accommodate thousands of spectators while providing optimal sight lines and acoustics. The site actually contains two theatres: the West Theatre, built in the 2nd century BCE during the Hellenistic period with a capacity of 8,000 spectators, and the larger North Theatre, constructed during the Roman Imperial period with seating for up to 15,000 people. Excavation work continues to reveal new details about how these ancient entertainment complexes functioned, including staging areas, animal holding pens, and mechanical systems used to create spectacular shows for ancient audiences.

Laodicea boasts some of the most impressive archaeological remains in Turkey. Even today, the site is still being excvated.

See more of Laodicea here

The Stork Highway of Ancient Rome

Walking through Selçuk’s streets during the ongoing heat wave, we couldn’t help but notice the most unusual sight: massive white storks perched confidently atop Roman aqueduct ruins and modern utility poles alike. These aren’t just random visitors – they’re part of an annual migration pattern that has turned this historic town into Turkey’s unofficial stork capital.

Every March, storks return to Selçuk from their winter homes in sub-Saharan Africa. The storks choose the highest points available for their nests, including the remnants of Byzantine aqueducts that once supplied water to ancient Ephesus. Local authorities have even installed special platforms on utility poles to prevent the birds from electrocution while preserving their traditional nesting sites.

Mysteries of the Multi-Breasted Goddess

Our visit to the Ephesus Museum revealed one of archaeology’s most debated artifacts: a towering statue covered in what appears to be dozens of breasts. This is the famous Artemis of Ephesus, but those protuberances might not be what they seem.

The 292-centimetre-tall statue actually represents a fascinating scholarly controversy. While traditionally interpreted as multiple breasts symbolizing fertility, many experts now believe these oval objects are bull testicles, hung as offerings during sacrificial ceremonies. Some scholars even suggest they could be bee larvae, as bees were sacred to Artemis. What makes this debate particularly intriguing is that none of the “breasts” have nipples – a detail that ancient sculptors, masters of human anatomy, would hardly have overlooked.

This statue likely stood in the Temple of Artemis, one of the Seven Wonders of the Ancient World, making it a tangible connection to one of antiquity’s most celebrated structures. The temple’s destruction by 401 CE means this museum piece represents our closest link to understanding how the ancient world venerated this powerful goddess.

Where Emperors Built Upon Apostles

The ruins of the Basilica of Saint John dominate Ayasoluk Hill, their weathered stones telling a story of imperial ambition, religious devotion, and inevitable decay. Emperor Justinian I commissioned this massive structure between 548 and 565 CE, designing it as both a pilgrimage destination and a worthy monument to house the tomb of John the Apostle.

The basilica measured 428 by 213 feet, making it potentially the seventh-largest church in the world if reconstructed today. Justinian modeled it after the Church of the Holy Apostles in Constantinople, creating a cruciform structure crowned with six domes. The builders incorporated materials from the nearby Temple of Artemis and other Ephesian ruins, recycling ancient marble and stones into Christian architecture.

The basilica’s decline began with Arab raids in the 7th and 8th centuries, which forced the construction of defensive walls around the structure. By 1304, invading Seljuk Turks converted part of the building into a mosque, and in 1402, Tamerlane’s Mongol army destroyed it during their invasion. Earthquakes in the 1360s completed the devastation, leaving the impressive ruins we see today.

A Castle Built on Sacred Ground

Crowning Ayasoluk Hill above the basilica ruins stands a fortress that represents the practical realities of medieval defense. The Ayasoluk Castle, built during the Byzantine era around the 6th century CE, incorporates stones from dismantled Roman buildings, including materials from Ephesian structures.

The castle’s strategic position made it valuable to successive rulers. Seljuk Turks expanded it after conquering the area in 1090, and Ottoman forces later added their own modifications. The fortress enclosed fifteen towers connected by 1.5 kilometres of walls, protecting a small community that included a mosque, cisterns, baths, and residential quarters.

What makes this castle particularly fascinating is its relationship with the basilica below. Rather than destroying the Christian site, medieval builders incorporated it into their defensive strategy, using the basilica’s walls as part of the lower fortress complex. This created unique architecture where Islamic military architecture literally rests upon Christian sacred space.

Divine Intervention at the Neighbourhood Mosque

Our exploration of Selçuk’s religious landscape led us to the İsa Bey Mosque, a remarkable example of 14th-century Anatolian architecture. Built between 1374-75 by Syrian architect Ali ibn el-Dimişki, this mosque demonstrates the transitional period between Seljuk and Ottoman architectural styles.

The mosque’s segregated prayer areas for women represent traditional Islamic practice, though such arrangements can appear restrictive to visitors from different cultural backgrounds. These architectural divisions reflect religious interpretations that prioritize modesty and separate worship spaces, practices that have shaped Islamic religious architecture for centuries.

During our visit, we discovered that the mosque offers free Quran copies to interested visitors – a practice that connects contemporary Islamic outreach with the site’s long history as a religious centre. While there, we met a local man who was especially eager to talk to us about Islam. He explained that he hadn’t actually planned to visit the mosque at that time; he was on his way to complete some errands, but on a whim decided to stop by and pick up a Quran for a friend. Instead, he ran into us and was convinced that our meeting was no coincidence, telling us he believed it was divine intervention.

Our conversation quickly turned philosophical. He earnestly shared his belief that the Quran contains the answers to every question in life, presenting it as the ultimate guide to truth. At one point, he shared a rather striking perspective: he said that people who believe in God are the highest tier of lifeforms, followed by animals, with people who don’t believe, especially those who “act like they are their own god”, ranking below animals. I couldn’t help but laugh internally, realizing that by his definition I must be beneath the neighborhood cats lounging in the sun! He meant no offense, his words were offered with sincerity and a desire to share his worldview. Still, I got the impression he didn’t realize we weren’t religious ourselves, or how his ranking might sound to an outsider.

Echoes of the Population Exchange

Our journey to Şirince village, perched on a hillside 8 kilometres from Selçuk, revealed one of Turkey’s most poignant historical legacies. This mountaintop settlement, originally called Çirkince (meaning “ugly” in Turkish), was supposedly named by its Greek founders to deter other settlers from discovering their mountain paradise.

The village prospered under its Greek Orthodox Christian population, who spoke primarily Turkish despite their religious identity. By 1908-09, over 1,000 houses sheltered Greek families who cultivated vines, tobacco, figs, and olives while maintaining their distinct cultural traditions.

The 1923 Population Exchange between Greece and Turkey devastated Şirince’s established community. This compulsory transfer, formalized in the Convention Concerning the Exchange of Greek and Turkish Populations, displaced approximately 1.6 million people based solely on religious affiliation. Greek Orthodox Christians from Turkish territories moved to Greece, while Muslims from Greece relocated to Turkey. The abandoned houses we encountered represent this traumatic displacement.

The Grandeur and Complexity of Ancient Ephesus

The archaeological site of Ephesus, directly connected to modern Selçuk, represents one of the Mediterranean’s most significant Roman cities. As we walked among its ruins during the intensifying heat wave, the scale and sophistication of this ancient metropolis became immediately apparent. A local restaurant owner’s joke about Efes beer – suggesting we walk a few kilometres toward ancient Ephesus since “Efes” is simply the Turkish name for the ancient city – highlighted how thoroughly this archaeological site integrates with the culture. The beer’s naming represents a modern commercial connection to ancient prestige.

The Temple of Artemis ruins, reduced now to a single reconstructed column, still commanded respect as the remains of one of the Seven Wonders of the Ancient World. Though little survives of this massive structure, which once measured 137 metres long and featured 127 columns each standing 18 metres high, the site’s significance resonates across millennia.

Ephesus declined through a combination of geographical and political factors. The Küçük Menderes River gradually silted up the harbour, cutting the city’s vital connection to maritime trade routes. Natural disasters, including a devastating earthquake in 614 CE, damaged infrastructure repeatedly. The rise of Christianity displaced traditional pagan worship, while Gothic invasions in 262 CE destroyed much of the city, including the Temple of Artemis.

I was captivated by how Ephesus’s grandeur was engineered. The ancients combined brute force and technical innovation. Iron pins and lead clamps held massive marble slabs together, damping seismic shocks and locking the city’s great structures in place (though unlikely they knew how well that method would stand up to an actual earthquake).

Workers used wooden cranes, pulleys, and earth ramps to raise monolithic columns, guiding tonnes of stone into precise positions.

We realized that knowing Latin wouldn’t have helped us decipher most Ephesian inscriptions. The city’s later inscriptions switched entirely to Greek, the region’s lingua franca after Alexander the Great’s conquest. An odd feeling – usually we lament not knowing Latin, but this time, it wouldn’t have helped at all. Amid these weighty ruins, we saw samples of the ichthys fish symbol (colloquially known as the Jesus fish symbol), scratched into ancient stones, symbolizing early Christianity. In Greek, it’s written as ΙΧΘΥΣ, and is sometimes seen abbreviated using a symbol resembling a pizza cut into eight slices.

The Temple That Bridged Empires

Among Ephesus’s countless architectural treasures, the Temple of Hadrian stands as a masterpiece of cultural synthesis. This elegantly proportioned structure, built around 117 CE, demonstrates how Roman architects embraced and transformed Eastern design traditions through its distinctive Syrian arch.

The temple’s facade tells multiple stories through stone. Tyche, goddess of city fortune, crowns the keystone wearing walls as her crown, symbolizing her protection over Ephesian prosperity. Above the inner doorway, a relief of Medusa emerges from acanthus leaves, not the terrifying monster of myth, but a protective figure surrounded by the Mediterranean vegetation that inspired Corinthian column designs.

Roman Domestic Life Preserved in Paint

The Terrace Houses of Ephesus shattered our expectations of ancient Roman domestic architecture. These luxury residences, inhabited by wealthy families from the 1st to 7th centuries CE, revealed that Roman homes were far more colourful and sophisticated than typical stone ruins suggest.

The houses featured extensive frescoed walls with floral motifs, geometric patterns, and figurative scenes painted directly onto plaster surfaces. Archaeologists have carefully restored many of these paintings, revealing the artistic sophistication of domestic Roman decoration. The mosaic floors display intricate geometric and figural designs, demonstrating the high level of craftsmanship available to Ephesian elite. These restorations represent authentic ancient artwork, not modern interpretations.

The houses incorporated sophisticated engineering, including hypocaust heating systems that circulated warm air beneath floors and within walls, and plumbing that provided both hot and cold running water. These amenities matched those available in Roman public baths, demonstrating the luxury standards of Ephesian wealthy families.

The Library That Conquered Death

The Library of Celsus stands as Ephesus’s most iconic structure, and deservedly so. This magnificent building, constructed between 110-135 CE, served the dual purpose of housing scrolls and honouring the dead. Tiberius Julius Aquila commissioned the library as a memorial to his father, Tiberius Julius Celsus Polemaeanus, who had served as Roman consul and proconsul of Asia. The building functioned as both a repository of knowledge, holding approximately 12,000 scrolls, and as Celsus’s mausoleum – his marble sarcophagus rests in a crypt beneath the building.

Fire destroyed the library’s interior around 262 CE, though the façade survived until earthquakes brought it down in the 10th or 11th century. Austrian archaeologists reconstructed the façade between 1970 and 1978, creating the impressive sight that draws crowds today for both daytime visits and evening light shows.

As we left, we saw people lined up for hundreds of meters lining up to see the evening light show – many of them coming in from cruise ships.

See more images from Selçuk and Ancient Ephesus