The Stork Highway of Ancient Rome

Walking through Selçuk’s streets during the ongoing heat wave, we couldn’t help but notice the most unusual sight: massive white storks perched confidently atop Roman aqueduct ruins and modern utility poles alike. These aren’t just random visitors – they’re part of an annual migration pattern that has turned this historic town into Turkey’s unofficial stork capital.

Every March, storks return to Selçuk from their winter homes in sub-Saharan Africa. The storks choose the highest points available for their nests, including the remnants of Byzantine aqueducts that once supplied water to ancient Ephesus. Local authorities have even installed special platforms on utility poles to prevent the birds from electrocution while preserving their traditional nesting sites.

Mysteries of the Multi-Breasted Goddess

Our visit to the Ephesus Museum revealed one of archaeology’s most debated artifacts: a towering statue covered in what appears to be dozens of breasts. This is the famous Artemis of Ephesus, but those protuberances might not be what they seem.

The 292-centimetre-tall statue actually represents a fascinating scholarly controversy. While traditionally interpreted as multiple breasts symbolizing fertility, many experts now believe these oval objects are bull testicles, hung as offerings during sacrificial ceremonies. Some scholars even suggest they could be bee larvae, as bees were sacred to Artemis. What makes this debate particularly intriguing is that none of the “breasts” have nipples – a detail that ancient sculptors, masters of human anatomy, would hardly have overlooked.

This statue likely stood in the Temple of Artemis, one of the Seven Wonders of the Ancient World, making it a tangible connection to one of antiquity’s most celebrated structures. The temple’s destruction by 401 CE means this museum piece represents our closest link to understanding how the ancient world venerated this powerful goddess.

Where Emperors Built Upon Apostles

The ruins of the Basilica of Saint John dominate Ayasoluk Hill, their weathered stones telling a story of imperial ambition, religious devotion, and inevitable decay. Emperor Justinian I commissioned this massive structure between 548 and 565 CE, designing it as both a pilgrimage destination and a worthy monument to house the tomb of John the Apostle.

The basilica measured 428 by 213 feet, making it potentially the seventh-largest church in the world if reconstructed today. Justinian modeled it after the Church of the Holy Apostles in Constantinople, creating a cruciform structure crowned with six domes. The builders incorporated materials from the nearby Temple of Artemis and other Ephesian ruins, recycling ancient marble and stones into Christian architecture.

The basilica’s decline began with Arab raids in the 7th and 8th centuries, which forced the construction of defensive walls around the structure. By 1304, invading Seljuk Turks converted part of the building into a mosque, and in 1402, Tamerlane’s Mongol army destroyed it during their invasion. Earthquakes in the 1360s completed the devastation, leaving the impressive ruins we see today.

A Castle Built on Sacred Ground

Crowning Ayasoluk Hill above the basilica ruins stands a fortress that represents the practical realities of medieval defense. The Ayasoluk Castle, built during the Byzantine era around the 6th century CE, incorporates stones from dismantled Roman buildings, including materials from Ephesian structures.

The castle’s strategic position made it valuable to successive rulers. Seljuk Turks expanded it after conquering the area in 1090, and Ottoman forces later added their own modifications. The fortress enclosed fifteen towers connected by 1.5 kilometres of walls, protecting a small community that included a mosque, cisterns, baths, and residential quarters.

What makes this castle particularly fascinating is its relationship with the basilica below. Rather than destroying the Christian site, medieval builders incorporated it into their defensive strategy, using the basilica’s walls as part of the lower fortress complex. This created unique architecture where Islamic military architecture literally rests upon Christian sacred space.

Divine Intervention at the Neighbourhood Mosque

Our exploration of Selçuk’s religious landscape led us to the İsa Bey Mosque, a remarkable example of 14th-century Anatolian architecture. Built between 1374-75 by Syrian architect Ali ibn el-Dimişki, this mosque demonstrates the transitional period between Seljuk and Ottoman architectural styles.

The mosque’s segregated prayer areas for women represent traditional Islamic practice, though such arrangements can appear restrictive to visitors from different cultural backgrounds. These architectural divisions reflect religious interpretations that prioritize modesty and separate worship spaces, practices that have shaped Islamic religious architecture for centuries.

During our visit, we discovered that the mosque offers free Quran copies to interested visitors – a practice that connects contemporary Islamic outreach with the site’s long history as a religious centre. While there, we met a local man who was especially eager to talk to us about Islam. He explained that he hadn’t actually planned to visit the mosque at that time; he was on his way to complete some errands, but on a whim decided to stop by and pick up a Quran for a friend. Instead, he ran into us and was convinced that our meeting was no coincidence, telling us he believed it was divine intervention.

Our conversation quickly turned philosophical. He earnestly shared his belief that the Quran contains the answers to every question in life, presenting it as the ultimate guide to truth. At one point, he shared a rather striking perspective: he said that people who believe in God are the highest tier of lifeforms, followed by animals, with people who don’t believe, especially those who “act like they are their own god”, ranking below animals. I couldn’t help but laugh internally, realizing that by his definition I must be beneath the neighborhood cats lounging in the sun! He meant no offense, his words were offered with sincerity and a desire to share his worldview. Still, I got the impression he didn’t realize we weren’t religious ourselves, or how his ranking might sound to an outsider.

Echoes of the Population Exchange

Our journey to Şirince village, perched on a hillside 8 kilometres from Selçuk, revealed one of Turkey’s most poignant historical legacies. This mountaintop settlement, originally called Çirkince (meaning “ugly” in Turkish), was supposedly named by its Greek founders to deter other settlers from discovering their mountain paradise.

The village prospered under its Greek Orthodox Christian population, who spoke primarily Turkish despite their religious identity. By 1908-09, over 1,000 houses sheltered Greek families who cultivated vines, tobacco, figs, and olives while maintaining their distinct cultural traditions.

The 1923 Population Exchange between Greece and Turkey devastated Şirince’s established community. This compulsory transfer, formalized in the Convention Concerning the Exchange of Greek and Turkish Populations, displaced approximately 1.6 million people based solely on religious affiliation. Greek Orthodox Christians from Turkish territories moved to Greece, while Muslims from Greece relocated to Turkey. The abandoned houses we encountered represent this traumatic displacement.

The Grandeur and Complexity of Ancient Ephesus

The archaeological site of Ephesus, directly connected to modern Selçuk, represents one of the Mediterranean’s most significant Roman cities. As we walked among its ruins during the intensifying heat wave, the scale and sophistication of this ancient metropolis became immediately apparent. A local restaurant owner’s joke about Efes beer – suggesting we walk a few kilometres toward ancient Ephesus since “Efes” is simply the Turkish name for the ancient city – highlighted how thoroughly this archaeological site integrates with the culture. The beer’s naming represents a modern commercial connection to ancient prestige.

The Temple of Artemis ruins, reduced now to a single reconstructed column, still commanded respect as the remains of one of the Seven Wonders of the Ancient World. Though little survives of this massive structure, which once measured 137 metres long and featured 127 columns each standing 18 metres high, the site’s significance resonates across millennia.

Ephesus declined through a combination of geographical and political factors. The Küçük Menderes River gradually silted up the harbour, cutting the city’s vital connection to maritime trade routes. Natural disasters, including a devastating earthquake in 614 CE, damaged infrastructure repeatedly. The rise of Christianity displaced traditional pagan worship, while Gothic invasions in 262 CE destroyed much of the city, including the Temple of Artemis.

I was captivated by how Ephesus’s grandeur was engineered. The ancients combined brute force and technical innovation. Iron pins and lead clamps held massive marble slabs together, damping seismic shocks and locking the city’s great structures in place (though unlikely they knew how well that method would stand up to an actual earthquake).

Workers used wooden cranes, pulleys, and earth ramps to raise monolithic columns, guiding tonnes of stone into precise positions.

We realized that knowing Latin wouldn’t have helped us decipher most Ephesian inscriptions. The city’s later inscriptions switched entirely to Greek, the region’s lingua franca after Alexander the Great’s conquest. An odd feeling – usually we lament not knowing Latin, but this time, it wouldn’t have helped at all. Amid these weighty ruins, we saw samples of the ichthys fish symbol (colloquially known as the Jesus fish symbol), scratched into ancient stones, symbolizing early Christianity. In Greek, it’s written as ΙΧΘΥΣ, and is sometimes seen abbreviated using a symbol resembling a pizza cut into eight slices.

The Temple That Bridged Empires

Among Ephesus’s countless architectural treasures, the Temple of Hadrian stands as a masterpiece of cultural synthesis. This elegantly proportioned structure, built around 117 CE, demonstrates how Roman architects embraced and transformed Eastern design traditions through its distinctive Syrian arch.

The temple’s facade tells multiple stories through stone. Tyche, goddess of city fortune, crowns the keystone wearing walls as her crown, symbolizing her protection over Ephesian prosperity. Above the inner doorway, a relief of Medusa emerges from acanthus leaves, not the terrifying monster of myth, but a protective figure surrounded by the Mediterranean vegetation that inspired Corinthian column designs.

Roman Domestic Life Preserved in Paint

The Terrace Houses of Ephesus shattered our expectations of ancient Roman domestic architecture. These luxury residences, inhabited by wealthy families from the 1st to 7th centuries CE, revealed that Roman homes were far more colourful and sophisticated than typical stone ruins suggest.

The houses featured extensive frescoed walls with floral motifs, geometric patterns, and figurative scenes painted directly onto plaster surfaces. Archaeologists have carefully restored many of these paintings, revealing the artistic sophistication of domestic Roman decoration. The mosaic floors display intricate geometric and figural designs, demonstrating the high level of craftsmanship available to Ephesian elite. These restorations represent authentic ancient artwork, not modern interpretations.

The houses incorporated sophisticated engineering, including hypocaust heating systems that circulated warm air beneath floors and within walls, and plumbing that provided both hot and cold running water. These amenities matched those available in Roman public baths, demonstrating the luxury standards of Ephesian wealthy families.

The Library That Conquered Death

The Library of Celsus stands as Ephesus’s most iconic structure, and deservedly so. This magnificent building, constructed between 110-135 CE, served the dual purpose of housing scrolls and honouring the dead. Tiberius Julius Aquila commissioned the library as a memorial to his father, Tiberius Julius Celsus Polemaeanus, who had served as Roman consul and proconsul of Asia. The building functioned as both a repository of knowledge, holding approximately 12,000 scrolls, and as Celsus’s mausoleum – his marble sarcophagus rests in a crypt beneath the building.

Fire destroyed the library’s interior around 262 CE, though the façade survived until earthquakes brought it down in the 10th or 11th century. Austrian archaeologists reconstructed the façade between 1970 and 1978, creating the impressive sight that draws crowds today for both daytime visits and evening light shows.

As we left, we saw people lined up for hundreds of meters lining up to see the evening light show – many of them coming in from cruise ships.

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A Contrast in Cities

The contrast between Vienna and Bratislava becomes apparent immediately upon arrival. While both cities share a Habsburg heritage, Bratislava’s economic situation differs markedly from its Austrian neighbour.

This disparity likely stems from Austria flourishing being a primary driver of European prosperity, while Slovakia being a part of another empires/kingdoms for centuries, and then spending four decades behind the Iron Curtain under Communist rule.

Christmas Spirit

Despite December temperatures hovering around freezing and biting winds sweeping through the streets, Bratislava’s Christmas markets created a warm atmosphere. Unlike Vienna’s markets, which balance merchandise and food, Bratislava’s focus heavily on traditional Slovak cuisine and glühwein.

We sampled a traditional potato pancake served with sour cream and various toppings. It tasted pretty much like a hashbrown with toppings. I also got to try glühwein mixed with absinthe, something I hadn’t had in years and isn’t common to find in North America.

Čumil the Sewer Worker

Among Bratislava’s most photographed attractions is Čumil, the “Man at Work” sculpture. Created by Viktor Hulík in 1997, this bronze figure peers out from a manhole cover. The sculpture brings a bit of character to the old town. While photographing Čumil, we noticed people observing tourists – a reminder to stay vigilant in crowded tourist areas.

The Opera House and National Identity

Our walking tour took us past the Slovak National Theatre. The Neo-Renaissance opera house, completed in 1886, was built during the Austro-Hungarian Empire. The facade features busts of famous playwrights and composers, none of whom are ethnically Slovak. This reflects the historical reality that Slovak national identity was still forming during the theatre’s construction. The first Slovak-language play was not performed at the opera house until the early 20th century.

Slovakia’s path to nationhood was complex, involving centuries under Hungarian rule, followed by inclusion in Czechoslovakia after World War I. The eventual peaceful dissolution of Czechoslovakia in 1993, known as the Velvet Divorce, marked Slovakia’s emergence as an independent nation. The Czech and Slovak languages illustrate this shared heritage, and are still mutually intelligible.

The UFO Bridge and the Memorial to the Jewish Quarter

A poignant stop on our tour was the site of a former synagogue. The Jewish Quarter was demolished during the construction of the UFO Bridge, officially known as the Bridge of the Slovak National Uprising, in the 1970s under Soviet rule. By that time, the area had been neglected for decades, likely due to the decimation of Bratislava’s Jewish population during the Holocaust. In its place, there’s now a memorial for where the old synagogue used to be.

The UFO Bridge itself has now become one of Bratislava’s most recognizable landmarks. Spanning the Danube without any supporting columns in the water, the bridge relies on suspension cables for structural integrity. Its unique design, with a circular restaurant perched atop, resembles a flying saucer, giving it the UFO moniker.

Christmas and Easter Traditions

Our guide shared some interesting Slovak holiday traditions. At Christmas, families often purchase live carp, allowing children to play with the fish in the bathtub for a day or two before it is prepared for dinner. Instead of Santa Claus, Slovakia’s version, Ježiško (Baby Jesus), visits children and brings them gifts. Easter brings another curious custom where boys pour water on girls they admire or value (romantic interests and female family members), a tradition thought to bring health and beauty. In return, the girls offer decorated eggs, booze or even money. The guide was completely aware how strange these traditions would sound to foreigners, and if you ask me, the Easter one seems a little bit one-sided.

Ascending to Bratislava Castle

The tour concluded with a climb to Bratislava Castle. Compared to grander castles in the region, Bratislava Castle reflects the city’s more modest resources.

Originally a military fortification, it achieved its greatest splendour under Maria Theresa’s reign in the 18th century when it was converted into a Habsburg residence. After a devastating fire in 1811, the castle fell into disrepair. During the communist era, reconstruction efforts were modest compared to its former glory, resulting in the simpler structure we see today.

From the top of the castle hill, visitors can see wind turbines in the distance. Interestingly, these turbines are located in Austria, as Slovakia does not yet have significant investments in wind energy.

See more of Bratislava here

Christmas Markets and Festive Atmosphere

Vienna transforms into a winter wonderland during the holiday season, with Christmas markets dotting the city landscape. We explored markets at various iconic locations such as St. Stephen’s Cathedral, Rathausplatz (City Hall), Schloss Schönbrunn, and Schloss Belvedere. Each market featured rows of wooden stalls selling ornaments, handcrafted gifts, and warm seasonal drinks.

The markets feature countless stalls serving Glühwein (mulled wine) in decorative mugs, which visitors can keep as souvenirs for a €5 deposit. The hot drinks were perfect for when walking around in the cold. There’s also food like Kaiserschmarrn (like a fluffy shredded pancake with sugar and jam), hot dogs, and chimney cakes.

While many stalls offer Christmas merchandise, we discovered that most vendors source similar items (likely outsourced). However, we learned of an artisanal market featuring exclusively local craftwork, though we weren’t able to visit it during our stay.

We heard about a market that exclusively sold locally made items, though unfortunately, we missed the chance to visit it. Another notable scene was the line of people outside Stephansdom, awaiting Christmas mass, reflecting the importance of the cathedral in Vienna’s holiday traditions. Despite this, the atmosphere remained lively

Museums and Palaces

Vienna is known for its rich collection of museums and palaces. Among the highlights of our visit was the Albertina, though art museums are not my usual preference. A more engaging stop was the Schmetterlinghaus, the butterfly house, located near the Hofburg Palace. This greenhouse contained numerous butterfly species that fluttered among tropical plants, including banana trees. The butterflies flew around at their leisure. Some would land on the leaves, or even on the walking path, so we had to be careful as we walked.

One of the more memorable moments was witnessing a butterfly emerge from its chrysalis. However, the warmth inside contrasted sharply with the cold winter air outside, making heavy winter clothing less comfortable during the visit.

The Schatzkammer, Vienna’s imperial treasury, presented a vast collection of jewellery and regalia from the Habsburg era. The treasury holds significant historical pieces, including the Imperial Crown of Austria and the Royal Scepter, reflecting the power and influence the Habsburg dynasty once held. The collection includes the largest emeralds in the world.

At Schloss Schönbrunn (a UNESCO World Heritage site), we took a guided tour through Maria Theresa’s private quarters, which are only accessible with a guide. Maria Theresa, the only female ruler of the Habsburg dominions, was a pivotal figure in European history, known for modernizing the empire and her diplomatic maneuvers, including the marriage of her daughter Marie Antoinette (one of her 16 children) to Louis XVI of France. Schönbrunn, often likened to Versailles, served as a summer residence for the Habsburgs and features intricate Rococo interiors.

The Kapuzinergruft, the Imperial Crypt, provided a sobering experience as we explored the tombs of the Habsburg family, including those of Franz Joseph I and Maria Theresa. Franz Joseph, who reigned for nearly 68 years, oversaw significant political changes in Europe. The crypt narrates the legacy of the Habsburgs, a family that ruled Austria and much of Europe for centuries.

Culinary Experiences

Vienna’s culinary scene combines traditional Austrian dishes with influences from neighbouring regions. We sampled Flammkuchen, a thin flatbread from the Alsace region topped with crème fraîche instead of tomato sauce. The local Schweinsbraten (roasted pork) came served with Knödel (potato dumplings). This hearty dish involves slow-roasting marinated pork until tender, and the dumplings soak up the rich gravy, creating a filling and comforting plate.

Wiener Schnitzel, one of Austria’s most famous dishes, did not particularly stand out to me. I found the Japanese variation, tonkatsu, to be more enjoyable.

Flight Home in Comfort

The return flight offered a chance to experience business class. Upon boarding, sparkling wine was served, and throughout the flight, options for higher-quality food and drinks were available, including steak, cheese plates, smoked salmon, and Johnnie Walker Black.

The seats reclined fully, providing a more restful sleep, and the thicker blankets added to the comfort. Skippable ads during in-flight entertainment and access to the lounge with additional food and beverages rounded out the experience, making the flight much more enjoyable.

See more of Vienna here