Iglesia de San Antón

As we explored Granada, we happened upon the Iglesia de San Antón. The church is a baroque church founded in 1534 by the Franciscan Terciaries.

It reminded me of the ornate Catholic churchs often seen in Rome.

The Resting Place of Royalty

Next we, explored the Royal Chapel, one of Granada’s most historically profound spaces. Here lie the remains of Isabella I of Castile and Ferdinand II of Aragon, the Catholic Monarchs whose conquest of Granada in 1492 marked the end of nearly eight hundred years of Islamic rule on the Iberian Peninsula.

Inside, a magnificent marble mausoleum sculpted by Florentine artist Domenico Fancelli depicts the monarchs in recumbent poses – Ferdinand in armour with his sword, Isabella in simple dress with her hands folded to symbolize humility.

The symbolism of their burial in Granada was deeply personal to Isabella; the city represented the culmination of her life’s obsession, the final Christian victory over the Islamic kingdoms that had ruled the Iberian Peninsula for centuries.

Adjacent to the Royal Chapel stands the Granada Cathedral, a grand Renaissance structure that dominates the city centre, and was built on the site of the city’s former mosque.

Artisanal Flavours of Granada

As we wandered through Granada’s narrower shopping streets, we discovered small artisanal shops selling local specialties that quickly became personal favourites. Candied nuts – pistachios, almonds, and walnuts coated in crystallized sugar – were impossible to resist, their nutty sweetness a perfect afternoon snack as we navigated cobblestone alleyways.

We also found Turkish delight, those jewel-like cubes of gelatin dusted with pistachios or coated in chocolate, a confection with roots stretching back through centuries of Mediterranean and Middle Eastern trade. These small shops, tucked away in corners we might have otherwise missed, represented the kind of authentic local commerce that rarely makes it into guidebooks – the sort of place where shopkeepers know their craft and take genuine pride in what they produce.

The Albaicín

We ventured into the Albaicín, Granada’s oldest neighbourhood, which occupies one of the city’s three main hills and feels like stepping back centuries into Islamic-era Granada. The Albaicín is immediately recognizable as distinct from modern Granada – its labyrinthine street layout, and narrow cobblestone alleys all follow the pattern established during the 11th century when the Zirid dynasty first settled here.

UNESCO designated the Albaicín a World Heritage Site in 1994, recognizing its rich legacy of vernacular Arab architecture harmoniously blended with Andalusian styles. Walking through these streets, the remains of the Alcazaba Cadima fortress walls, historic gates like the Puerta de las Pesas, and churches converted from mosques stand as reminders of Granada’s storied past.

During our exploration of the Albaicín, we stumbled upon a small artisanal perfume shop. Inside, the proprietor had created a compact museum documenting the historical methods of perfume production, with displays showing traditional distillation apparatus.

Ascending to the Sacromonte Caves

We decided to walk from the Albaicín up to the Sacromonte caves, climbing further up the adjacent hill overlooking the city.

The neighbourhood gradually transformed as we ascended – the tightly packed streets gave way to buildings with whitewashed façades emerging directly from the hillside, with good viewpoints of the Alhambra.

Sacromonte Caves: Architecture and Living Conditions

The Sacromonte represents a profound chapter in Granada’s history linked to the Roma people, originating from South Asia but historically misidentified as Egyptians, hence the term “Gypsies.” Roma communities settled in the Sacromonte from the 16th century, living in the caves due to social exclusion and developing the flamenco tradition there.

We spotted fruit trees near the cave dwellings: pomegranates, and tangerines that would have provided sustenance. They also coexisted with animals within and around the caves.

The caves are architectural responses to environment and marginalization: whitewashing the limestone interiors with plaster to regulate temperatures through hot summers and cold winters. This cooling technique influenced nearby houses as well. Forced displacement in the mid-20th century due to natural disaster risk ended the community’s residence, turning the caves into tourist sites while the Roma were pushed out. Seems strange that now that they are gone, the government is earning money from their story – and not the Roma.

Walking the paths, the views of Albaicín below and the Alhambra above framed the neighbourhood’s complex history.

A Culinary Experiment

We dined at Atelier Casa de Comidas, a Michelin-recommended restaurant with an open kitchen near Granada’s centre. The tasting menu included some fascinating dishes that showcased a blend of local and innovative flavours. One starter featured tomate fermentado con caballa – fermented tomato paired with rich mackerel, that offered a fun texture with a balance of acidity and umami.

The menu also included a refreshing gazpacho anisado con quisquillas, an anise-flavoured cold tomato soup served with small shrimp, paired with a homemade green curry of arugula and the citrusy note of finger lime.

On the heartier side, gurullos con morro de ternera Pajuna y thermidor de cigalas paired beef snout and a rich sauce usually reserved for lobster, enhancing the seafood-meets-land narrative. The veal snout was mildly interesting, but not my preferred flavour profile, nor texture.

The main dish of lomo de jabalí curado en Koji y botánicos was wild boar loin cured in koji fungus and botanicals, served with saffron pear, and a Romaine sauce

Despite the refined technical execution and creative flavour pairings, we enjoyed the meal, but ultimately found the overall flavour profiles less aligned with our personal tastes.

The Alhambra Generalife Gardens

Our final day was devoted to the Alhambra, Granada’s UNESCO World Heritage Site and one of the finest examples of Islamic architecture. We started at the Generalife gardens, the summer palace and pleasure grounds of the Nasrid emirs.

Meaning “Gardens of the Architect” or “Gardens of Paradise,” the Generalife features tiered terraces with flowers, and fruit trees – pomegranates, figs, citrus – and flowing water channels and fountains that create a cool, sensory landscape.

Water’s central role symbolizes life and paradise in Islamic art.

The Alhambra Nasrid Palace

Inside the Nasrid Palace of the Alhambra, intricate mosaic tiles formed geometric and calligraphic patterns.

The palace’s crown jewel is the Court of the Lions, with its marble fountain supported by twelve stone lions channeling water in four directions, representing paradise flowing to the world. The Alhambra’s advanced water system animates its fountains and pools, blending engineering with artistic expression.

Surrounding halls feature plaster honeycomb-like muqarnas vaulting, engineered to play with natural light dynamically throughout the day. These domes and vaults are built from thousands of small, modular plaster pieces that fit together like a complex three-dimensional puzzle. Each piece is precisely carved and assembled, allowing the ceiling to achieve both its structural integrity and intricate, stalactite-like appearance.

This technique is not only decorative but also serves as a unique architectural solution that distributes weight evenly and creates celestial effects as light filters through.

See more of Granada here

Instead of fitting into simplified geographical labels, there’s a strong sense of being part of a culture formed in the crossroads of Europe and Asia, shaped by both the legacy of the Ottoman Empire and the reforms of the modern Turkish republic. Many people see themselves as belonging to a distinct Turkish identity.

Hagia Sophia’s Thousand-Year Transformation

Our first stop was the magnificent Hagia Sophia, a structure that embodies Istanbul’s identity more than any other building. Originally constructed by Byzantine Emperor Justinian I between 532 and 537 CE, this architectural marvel has undergone many transformations.

The building’s history reads like a political timeline of empires. For nearly a millennium, it served as the principal cathedral of Eastern Christianity until 1453, when Sultan Mehmed II converted it into a mosque following the Ottoman conquest of Constantinople. The Ottomans didn’t destroy the Christian elements but rather incorporated them into their Islamic architecture, adding minarets, a mihrab, and a minbar while preserving many of the original Byzantine mosaics. Even today it remains the centre of politics, having witnessed protesters unfurling a “Free Palestine” sign, before quickly removing it, presumably for a social media campaign. Other sensitive topics like the Armenian genocide and the population exchange with Greece reflect ongoing struggles with historical memory and national identity. Our guide tended to avoid these questions, due to their political sensitivity.

The transformation continued into the modern era when Mustafa Kemal Atatürk converted it into a museum in 1934, symbolizing Turkey’s secular reforms. For 86 years, it existed as a unique blend of Christian and Islamic heritage until July 2020, when it was reconverted to a mosque. This most recent change sparked international debate, but it ensures that this architectural wonder continues to serve as a living, breathing place of worship rather than merely a historical artifact.

What captures visitors’ attention immediately are the massive circular calligraphic roundels – some of the largest in the Islamic world. These wooden panels, inscribed by the Ottoman calligrapher Kazasker Mustafa İzzet Efendi, display the names of Allah, Prophet Muhammad, the first four caliphs (Abu Bakr, Umar, Uthman, and Ali), and Muhammad’s grandsons Hassan and Hussein.

The Christian mosaics that survive today offer glimpses into Byzantine artistry. During the Ottoman period, many were plastered over but not destroyed, allowing for their later restoration during the museum years.

The Blue Mosque: Six Minarets and an Architectural Controversy

Directly across from Hagia Sophia stands the Sultan Ahmed Mosque, better known as the Blue Mosque, completed in 1616 during the reign of Sultan Ahmed I. The mosque was designed by architect Sedefkar Mehmed Ağa as an imperial show of strength to complement the imposing Hagia Sophia. Its most distinctive feature – six minarets – caused considerable controversy when first built, as only the Prophet’s mosque in Mecca possessed the same number. Unlike Hagia Sophia’s converted structure, the Blue Mosque was purpose-built as a place of Islamic worship.

Minarets serve both functional and symbolic purposes. Their number indicates a mosque’s importance: most mosques have one minaret, significant mosques have two, and only the most important imperial mosques have four or more. Originally, muezzins climbed these towers five times daily to call the faithful to prayer, with the call projecting in all directions from the circular galleries.

The mosque earned its popular name from the more than 20,000 handmade İznik tiles that adorn its interior. These ceramic masterpieces feature intricate designs of tulips, roses, carnations, and lilies in predominantly blue hues, beautifully illuminated by 260 windows. The craftsmanship represents the pinnacle of Ottoman ceramic art, with each tile contributing to a harmonious whole that creates an almost meditative atmosphere.

During our visit, we observed the quiet distribution of Qurans to interested visitors, reflecting the mosque’s role as both a place of worship and cultural exchange.

The Basilica Cistern’s Mysterious Depths

Built in the 6th century during Emperor Justinian I’s reign, this underground marvel was designed to supply water to the Great Palace of Constantinople and Hagia Sophia. The engineering achievement is staggering: 336 marble columns, each approximately 9 meters tall, arranged in 12 rows of 28 columns, supporting the weight of the vaulted ceiling above.

The cistern’s most intriguing features are the Medusa heads serving as column bases. These carved blocks were discovered during restoration work between 1985 and 1987, having remained hidden for centuries.

Several explanations exist for these mysterious sculptures. Some historians believe the heads were intentionally placed upside down to neutralize Medusa’s legendary power to turn viewers to stone. Others suggest they were simply repurposed architectural elements from earlier Roman buildings, positioned for purely structural reasons. A third theory proposes they were placed as protective talismans against evil spirits.

The cistern’s Islamic history reveals an interesting cultural perspective on flowing versus still water. When the Ottomans conquered Constantinople, they largely abandoned the cistern because Islamic tradition considers moving water more spiritually pure than stored water. This cultural preference led to the cistern’s gradual neglect until its rediscovery and restoration in the modern era.

The atmospheric lighting and the sound of water dropping from the ceiling create an almost mystical environment that makes visitors feel like they’re exploring an underground cathedral. The wooden walkways allow close examination of the varied column capitals, some Corinthian, others Ionic or Doric, evidence that the builders sourced materials from diverse ancient structures throughout the empire.

Imperial Opulence: Inside Topkapi Palace

Topkapi Palace served as the primary residence of Ottoman sultans for nearly 400 years, and walking through its courtyards and chambers offers an intimate glimpse into imperial life. The palace complex is vast, containing multiple courtyards, residential quarters, administrative buildings, and the famous Harem, where the sultan’s family and concubines lived in seclusion.

The palace’s Sacred Relics chamber houses one of the world’s most significant collections of Islamic artifacts. These relics were brought to Istanbul in 1517 when Sultan Selim I conquered the holy cities of Mecca and Medina, establishing himself as Caliph. The collection includes items purportedly belonging to Prophet Muhammad himself: strands of hair from his beard, a tooth, his footprint, several swords, and most significantly, the Blessed Mantle (Hırka-i Saadet).

The chamber where these relics are displayed maintains a profound spiritual atmosphere, with an imam continuously reciting Quranic verses, a practice that has continued for centuries.

Whether one believes in the authenticity of these artifacts or not, their historical significance as symbols of Islamic leadership and spiritual authority is undeniable. The scholarly consensus confirms that Prophet Muhammad was indeed a historical figure who lived in western Arabia during the early 7th century CE, supported by contemporary Byzantine, Syrian, and Armenian sources.

The palace also contains remarkable examples of Ottoman craftsmanship and design. The tile work throughout the complex rivals that of Portugal’s Sintra Palace but with distinctly Turkish colour palettes and motifs[highlighted in visitor notes]. The various reception halls, and the sultan’s private chambers each tell stories of ceremony, diplomacy, and daily life in the Ottoman court.

The Harem quarters, often misunderstood as merely the sultan’s private domain, actually functioned as a complex social institution housing the royal family, their servants, and administrators. The intricate tile work, painted ceilings, and carefully designed spaces reveal the sophisticated court culture that governed the Ottoman Empire at its zenith.

A Culinary Disappointment: Fine Dining Falls Short

Our evening took us to a restaurant featured in the Michelin Guide, not a starred establishment, but one included in their recommendations. The experience proved disappointing. The meal began promisingly with traditional Turkish tea, and fresh bread. However, the execution fell short. While I generally like this cuisine, I didn’t enjoy their execution of it.

We began with a mezze platter featuring chickpea yogurt, spicy tomato spreads, stuffed grape leaves, feta cheese, and hummus. It looked good, but Each dish supposedly carried historical Ottoman connections, but the preparation lacked finesse.

All red meat was cooked well-done, reflecting traditional Turkish preferences that prioritize food safety over texture. While this cooking style has deep cultural roots, this part I had trouble getting used to.

I did enjoy the restaurant’s attempt to connect each dish to Ottoman history. The finale of apple tea was genuinely excellent. Even with the historical ambiance and cultural storytelling, the experience has room for improvement by international standards.

Farewell Moments: The Human Connection

Our most meaningful experiences came not from monuments but from human connections. Saying goodbye to our tour group at a local bar revealed the true value of shared travel experiences. The group had developed strong bonds, inside jokes, and genuine friendships over just a few days. While our tour guide occasionally seemed overwhelmed by the group’s energy and humour, his professionalism and knowledge enhanced our understanding of each site significantly.

I checked in together with one of our tour group members who happen to have the same flight connection as me, but in the process, the attendant mistakenly checked one of her suitcases under my itinerary, and I noticed it too late, causing us to spend time to work with the airline to return her luggage, a process that, thankfully, worked out a day later. I also met an Indian passenger on her first flight ever – traveling from India to Turkey to Frankfurt to Canada.

These moments reminded us that while Istanbul’s historic sites provide the framework for exploration, the people we meet, fellow travelers, guides, and locals enriches sightseeing into genuine cultural exchange. The laughter, shared observations, and collective wonder at ancient achievements created memories that we will carry with us.

Practical Observations: Modern Istanbul’s Challenges

The economic challenges facing Turkey were evident in pricing that approaches American levels despite significantly lower local wages. Inflation rates exceeding 47% in late 2024 have created substantial pressure on both residents and visitors. Unlike some nations, Turkey didn’t engage in excessive pandemic spending; however, several distinct factors have fueled inflation, such as persistent currency devaluation, lowering interest rates in the face of rising prices, and heavy reliance on imported goods (some even highly taxed). The political situation continues to generate debate, with critics arguing that democratic institutions have been weakened while supporters maintain that stability has been preserved.

The taxi situation in Istanbul remains problematic for tourists, with widespread reports of scams including overcharging, longer routes, and “broken” meters. The prevalence of these issues suggests systemic problems that detract from the city’s tourism appeal. Using public transportation or pre-arranged transfers appears advisable for visitors.

Istanbul’s airport stands out for its striking design and enormous scale (albeit with less than sufficient air conditioning), and amenities like business lounges with a mini golf course and a pool table give arriving travellers a strong first impression. However, this impressive gateway doesn’t fully hide the economic and social challenges that many people in Turkey face beyond its sleek halls.

See more of Istanbul here

The Stork Highway of Ancient Rome

Walking through Selçuk’s streets during the ongoing heat wave, we couldn’t help but notice the most unusual sight: massive white storks perched confidently atop Roman aqueduct ruins and modern utility poles alike. These aren’t just random visitors – they’re part of an annual migration pattern that has turned this historic town into Turkey’s unofficial stork capital.

Every March, storks return to Selçuk from their winter homes in sub-Saharan Africa. The storks choose the highest points available for their nests, including the remnants of Byzantine aqueducts that once supplied water to ancient Ephesus. Local authorities have even installed special platforms on utility poles to prevent the birds from electrocution while preserving their traditional nesting sites.

Mysteries of the Multi-Breasted Goddess

Our visit to the Ephesus Museum revealed one of archaeology’s most debated artifacts: a towering statue covered in what appears to be dozens of breasts. This is the famous Artemis of Ephesus, but those protuberances might not be what they seem.

The 292-centimetre-tall statue actually represents a fascinating scholarly controversy. While traditionally interpreted as multiple breasts symbolizing fertility, many experts now believe these oval objects are bull testicles, hung as offerings during sacrificial ceremonies. Some scholars even suggest they could be bee larvae, as bees were sacred to Artemis. What makes this debate particularly intriguing is that none of the “breasts” have nipples – a detail that ancient sculptors, masters of human anatomy, would hardly have overlooked.

This statue likely stood in the Temple of Artemis, one of the Seven Wonders of the Ancient World, making it a tangible connection to one of antiquity’s most celebrated structures. The temple’s destruction by 401 CE means this museum piece represents our closest link to understanding how the ancient world venerated this powerful goddess.

Where Emperors Built Upon Apostles

The ruins of the Basilica of Saint John dominate Ayasoluk Hill, their weathered stones telling a story of imperial ambition, religious devotion, and inevitable decay. Emperor Justinian I commissioned this massive structure between 548 and 565 CE, designing it as both a pilgrimage destination and a worthy monument to house the tomb of John the Apostle.

The basilica measured 428 by 213 feet, making it potentially the seventh-largest church in the world if reconstructed today. Justinian modeled it after the Church of the Holy Apostles in Constantinople, creating a cruciform structure crowned with six domes. The builders incorporated materials from the nearby Temple of Artemis and other Ephesian ruins, recycling ancient marble and stones into Christian architecture.

The basilica’s decline began with Arab raids in the 7th and 8th centuries, which forced the construction of defensive walls around the structure. By 1304, invading Seljuk Turks converted part of the building into a mosque, and in 1402, Tamerlane’s Mongol army destroyed it during their invasion. Earthquakes in the 1360s completed the devastation, leaving the impressive ruins we see today.

A Castle Built on Sacred Ground

Crowning Ayasoluk Hill above the basilica ruins stands a fortress that represents the practical realities of medieval defense. The Ayasoluk Castle, built during the Byzantine era around the 6th century CE, incorporates stones from dismantled Roman buildings, including materials from Ephesian structures.

The castle’s strategic position made it valuable to successive rulers. Seljuk Turks expanded it after conquering the area in 1090, and Ottoman forces later added their own modifications. The fortress enclosed fifteen towers connected by 1.5 kilometres of walls, protecting a small community that included a mosque, cisterns, baths, and residential quarters.

What makes this castle particularly fascinating is its relationship with the basilica below. Rather than destroying the Christian site, medieval builders incorporated it into their defensive strategy, using the basilica’s walls as part of the lower fortress complex. This created unique architecture where Islamic military architecture literally rests upon Christian sacred space.

Divine Intervention at the Neighbourhood Mosque

Our exploration of Selçuk’s religious landscape led us to the İsa Bey Mosque, a remarkable example of 14th-century Anatolian architecture. Built between 1374-75 by Syrian architect Ali ibn el-Dimişki, this mosque demonstrates the transitional period between Seljuk and Ottoman architectural styles.

The mosque’s segregated prayer areas for women represent traditional Islamic practice, though such arrangements can appear restrictive to visitors from different cultural backgrounds. These architectural divisions reflect religious interpretations that prioritize modesty and separate worship spaces, practices that have shaped Islamic religious architecture for centuries.

During our visit, we discovered that the mosque offers free Quran copies to interested visitors – a practice that connects contemporary Islamic outreach with the site’s long history as a religious centre. While there, we met a local man who was especially eager to talk to us about Islam. He explained that he hadn’t actually planned to visit the mosque at that time; he was on his way to complete some errands, but on a whim decided to stop by and pick up a Quran for a friend. Instead, he ran into us and was convinced that our meeting was no coincidence, telling us he believed it was divine intervention.

Our conversation quickly turned philosophical. He earnestly shared his belief that the Quran contains the answers to every question in life, presenting it as the ultimate guide to truth. At one point, he shared a rather striking perspective: he said that people who believe in God are the highest tier of lifeforms, followed by animals, with people who don’t believe, especially those who “act like they are their own god”, ranking below animals. I couldn’t help but laugh internally, realizing that by his definition I must be beneath the neighborhood cats lounging in the sun! He meant no offense, his words were offered with sincerity and a desire to share his worldview. Still, I got the impression he didn’t realize we weren’t religious ourselves, or how his ranking might sound to an outsider.

Echoes of the Population Exchange

Our journey to Şirince village, perched on a hillside 8 kilometres from Selçuk, revealed one of Turkey’s most poignant historical legacies. This mountaintop settlement, originally called Çirkince (meaning “ugly” in Turkish), was supposedly named by its Greek founders to deter other settlers from discovering their mountain paradise.

The village prospered under its Greek Orthodox Christian population, who spoke primarily Turkish despite their religious identity. By 1908-09, over 1,000 houses sheltered Greek families who cultivated vines, tobacco, figs, and olives while maintaining their distinct cultural traditions.

The 1923 Population Exchange between Greece and Turkey devastated Şirince’s established community. This compulsory transfer, formalized in the Convention Concerning the Exchange of Greek and Turkish Populations, displaced approximately 1.6 million people based solely on religious affiliation. Greek Orthodox Christians from Turkish territories moved to Greece, while Muslims from Greece relocated to Turkey. The abandoned houses we encountered represent this traumatic displacement.

The Grandeur and Complexity of Ancient Ephesus

The archaeological site of Ephesus, directly connected to modern Selçuk, represents one of the Mediterranean’s most significant Roman cities. As we walked among its ruins during the intensifying heat wave, the scale and sophistication of this ancient metropolis became immediately apparent. A local restaurant owner’s joke about Efes beer – suggesting we walk a few kilometres toward ancient Ephesus since “Efes” is simply the Turkish name for the ancient city – highlighted how thoroughly this archaeological site integrates with the culture. The beer’s naming represents a modern commercial connection to ancient prestige.

The Temple of Artemis ruins, reduced now to a single reconstructed column, still commanded respect as the remains of one of the Seven Wonders of the Ancient World. Though little survives of this massive structure, which once measured 137 metres long and featured 127 columns each standing 18 metres high, the site’s significance resonates across millennia.

Ephesus declined through a combination of geographical and political factors. The Küçük Menderes River gradually silted up the harbour, cutting the city’s vital connection to maritime trade routes. Natural disasters, including a devastating earthquake in 614 CE, damaged infrastructure repeatedly. The rise of Christianity displaced traditional pagan worship, while Gothic invasions in 262 CE destroyed much of the city, including the Temple of Artemis.

I was captivated by how Ephesus’s grandeur was engineered. The ancients combined brute force and technical innovation. Iron pins and lead clamps held massive marble slabs together, damping seismic shocks and locking the city’s great structures in place (though unlikely they knew how well that method would stand up to an actual earthquake).

Workers used wooden cranes, pulleys, and earth ramps to raise monolithic columns, guiding tonnes of stone into precise positions.

We realized that knowing Latin wouldn’t have helped us decipher most Ephesian inscriptions. The city’s later inscriptions switched entirely to Greek, the region’s lingua franca after Alexander the Great’s conquest. An odd feeling – usually we lament not knowing Latin, but this time, it wouldn’t have helped at all. Amid these weighty ruins, we saw samples of the ichthys fish symbol (colloquially known as the Jesus fish symbol), scratched into ancient stones, symbolizing early Christianity. In Greek, it’s written as ΙΧΘΥΣ, and is sometimes seen abbreviated using a symbol resembling a pizza cut into eight slices.

The Temple That Bridged Empires

Among Ephesus’s countless architectural treasures, the Temple of Hadrian stands as a masterpiece of cultural synthesis. This elegantly proportioned structure, built around 117 CE, demonstrates how Roman architects embraced and transformed Eastern design traditions through its distinctive Syrian arch.

The temple’s facade tells multiple stories through stone. Tyche, goddess of city fortune, crowns the keystone wearing walls as her crown, symbolizing her protection over Ephesian prosperity. Above the inner doorway, a relief of Medusa emerges from acanthus leaves, not the terrifying monster of myth, but a protective figure surrounded by the Mediterranean vegetation that inspired Corinthian column designs.

Roman Domestic Life Preserved in Paint

The Terrace Houses of Ephesus shattered our expectations of ancient Roman domestic architecture. These luxury residences, inhabited by wealthy families from the 1st to 7th centuries CE, revealed that Roman homes were far more colourful and sophisticated than typical stone ruins suggest.

The houses featured extensive frescoed walls with floral motifs, geometric patterns, and figurative scenes painted directly onto plaster surfaces. Archaeologists have carefully restored many of these paintings, revealing the artistic sophistication of domestic Roman decoration. The mosaic floors display intricate geometric and figural designs, demonstrating the high level of craftsmanship available to Ephesian elite. These restorations represent authentic ancient artwork, not modern interpretations.

The houses incorporated sophisticated engineering, including hypocaust heating systems that circulated warm air beneath floors and within walls, and plumbing that provided both hot and cold running water. These amenities matched those available in Roman public baths, demonstrating the luxury standards of Ephesian wealthy families.

The Library That Conquered Death

The Library of Celsus stands as Ephesus’s most iconic structure, and deservedly so. This magnificent building, constructed between 110-135 CE, served the dual purpose of housing scrolls and honouring the dead. Tiberius Julius Aquila commissioned the library as a memorial to his father, Tiberius Julius Celsus Polemaeanus, who had served as Roman consul and proconsul of Asia. The building functioned as both a repository of knowledge, holding approximately 12,000 scrolls, and as Celsus’s mausoleum – his marble sarcophagus rests in a crypt beneath the building.

Fire destroyed the library’s interior around 262 CE, though the façade survived until earthquakes brought it down in the 10th or 11th century. Austrian archaeologists reconstructed the façade between 1970 and 1978, creating the impressive sight that draws crowds today for both daytime visits and evening light shows.

As we left, we saw people lined up for hundreds of meters lining up to see the evening light show – many of them coming in from cruise ships.

See more images from Selçuk and Ancient Ephesus

First Impressions of a Continental Bridge

The journey to Istanbul had begun with a business class flight, featuring a surprisingly excellent grilled duck leg – tender, juicy, and far exceeding expectations for airline cuisine. The connection through Madrid provided time to relax in the lounge before boarding Turkish Airlines for the final leg.

Turkish Airlines, the country’s flag carrier, serves traditional Turkish mezze platters on international flights, featuring selections like ezme (spicy tomato paste), muhammara (red pepper and walnut dip), and various cheese preparations. The cold appetizer service, while authentically Turkish, presents flavours that challenged my unaccustomed palates with their intensity and unique spice combinations.

Our first night’s accommodation was a newly constructed hotel that showcased both the promise and pitfalls of Istanbul’s rapidly expanding tourism infrastructure. While the breakfast buffet displayed beautiful presentation, the protein selection was limited. One memorable detail was the availability of purple olives, which are actually black olives that have been treated with a natural fermentation process, giving them their distinctive colour and slightly different flavour profile. The newly opened hotel gleamed with modern finishes, yet a closer look revealed shortcuts beneath the polish: water from the sink’s U-trap had a slow drip, hinting at rushed plumbing work.

Walking Through Conquest

In the morning, we met a subset of our group tour that also signed up for this optional walking tour. It began at the Gate of Charisius of the Theodosian Walls, the massive fortification system that protected Constantinople for over 1,000 years until Ottoman Sultan Mehmed II finally breached them in 1453. These walls, built in the 5th century, stretched for 12 miles and featured double lines of defence with towers and gates. The conquest of Constantinople marked the end of the Byzantine Empire and the beginning of Ottoman rule over this strategic city.

Our guide also shared a local idiom about fig trees, explaining that calling a “fig tree” appears complimentary but actually suggests they ruin everything around them – much like how fig trees’ aggressive root systems can damage foundations and infrastructure.

Mihrimah Sultan Mosque

We visited the Mihrimah Sultan Mosque, designed by the master architect Mimar Sinan in the 16th century. This mosque, one of two built for Sultan Süleyman’s daughter, demonstrates the sophisticated engineering and spiritual symbolism of Ottoman architecture.

Mosque architecture reflects Islamic principles and practical needs. The mihrab (prayer niche) always faces Mecca, orienting worshippers toward the holy city. The minbar (pulpit) stands to the right of the mihrab, while the main prayer hall remains free of furniture to accommodate prostration. The qibla wall (facing Mecca) receives the most decorative attention, often featuring intricate calligraphy and geometric patterns.

The building process showcased the ritual of wudu (ablution), which Muslims perform before prayer. The wudu process follows specific steps: first, practitioners state their intention and say “Bismillah” (in the name of Allah). They then wash their hands three times, rinse their mouth three times, cleanse their nostrils three times, wash their face three times, wash their arms up to the elbows three times, wipe their head once, clean their ears, and finally wash their feet up to the ankles three times. This purification ritual prepares both body and mind for prayer.

Church of St. Mary of the Spring

The Church of St. Mary of the Spring, known as Zoödochos Pege, represents a significant Orthodox Christian site. Emperor Justinian I built the original church here in the 6th century. The current structure dates to 1835, rebuilt after Ottoman forces destroyed the Byzantine-era building.

The church’s Byzantine art reflects the Eastern Orthodox tradition that survived the Iconoclastic periods of the 8th and 9th centuries. These paintings, featuring saints and angels with golden halos, represent the triumph of iconophiles (image-lovers) over iconoclasts (image-breakers). The artwork employs traditional Byzantine techniques, using gold leaf backgrounds to suggest divine light and eternal glory.

The holy spring beneath the church has attracted pilgrims for 1,500 years. Orthodox Christians believe the water possesses healing properties, and the site remains active for religious ceremonies.

Culinary Discoveries

Our lunch featured a carefully curated selection of Turkish dishes, including pide, often called “Turkish pizza” but more accurately described as boat-shaped flatbread topped with various ingredients. Traditional pide dough contains flour, yeast, water, salt, and sometimes yogurt or olive oil. The boat shape is formed by folding the edges, creating a rim that holds ingredients like minced meat, cheese, or vegetables seasoned with Turkish spices such as cumin, paprika, and parsley.

The meal also included various mezze spreads, including hummus and spicier preparations, along with vegetables cooked in clay pots – a traditional method that infuses food with earthy flavours while retaining moisture and nutrients.

The Art of Turkish Coffee

Turkish coffee preparation represents a centuries-old tradition that UNESCO recognized as an Intangible Cultural Heritage of Humanity. The process begins with finely ground coffee beans, ground to a powder-like consistency much finer than regular coffee. The coffee is brewed in a cezve (a small, long-handled pot traditionally made of copper) with cold water and sugar if desired.

The brewing process requires patience and attention. The cezve is heated slowly over medium heat, allowing the coffee to warm gradually. As it heats, dark foam begins to form. The key moment arrives when the coffee approaches a boil – the foam is carefully distributed among the cups before the coffee itself is poured. This foam is considered essential to proper Turkish coffee service.

The resulting coffee has an earthy, intense flavour that can surprise newcomers. The grounds settle at the bottom of the cup, and the coffee is never stirred once served. The texture is notably different from filtered coffee, with a slightly grainy consistency that reflects the traditional preparation method. This coffee culture extends beyond mere consumption – it plays a role in social rituals, including traditional marriage customs where the bride-to-be serves coffee to the groom’s family.

Living History in Modern Times

Our exploration revealed parts of town where residents have built apartments directly on top of the old city walls that once surrounded Constantinople. These informal settlements demonstrate how Istanbul’s residents have adapted historic structures for modern needs.

Cruising the Continental Divide

The Bosphorus cruise provided perspectives on Istanbul’s architectural evolution across different periods and empires. This narrow strait, connecting the Black Sea to the Mediterranean, serves as the boundary between Europe and Asia, making Istanbul the only city spanning two continents.

As the ferry glided along the strait, we caught sight of Hagia Sophia and the Topkapi Palace (which I will get into in a later post).

Historic yalı (waterfront mansions) line the shores, representing the Ottoman elite’s summer residences. These wooden structures, many dating to the 18th and 19th centuries. People still live in these houses today, and for a time, they could lounge on their patio overlooking the river, but not many more due to the tourist traffic.

We observed the Ortaköy Mosque, a 19th-century gem celebrated for its ornate baroque revival design, delicate stonework, and prominent twin minarets.

The cruise also revealed the Rumeli Fortress, constructed in just four months in 1452 by Sultan Mehmed II as part of his conquest preparations. This fortress, along with the Anadolu Fortress on the Asian side, allowed the Ottomans to control Bosphorus traffic and cut off Byzantine supply lines.

From the water, we observed the Dolmabahçe Palace, a 19th-century Ottoman palace that served as the empire’s administrative center during its final decades.

The Spice Route’s Istanbul Hub

The Spice Bazaar, built in 1664 as part of the New Mosque complex, served as a crucial link in the global spice trade. Historically called the Egyptian Bazaar because it was funded by revenues from Egypt, the market connected Asian spice producers with European consumers.

Turkey’s position along historic trade routes gave it access to spices from across Asia, but the country also produces distinctive spices that reflect its unique climate and culinary traditions. Turkish red pepper flakes (pul biber) vary in heat levels and include smoky varieties like isot biber from Şanlıurfa. Sumac, made from berries of the Rhus coriaria bush, provides a citrusy tartness that’s become essential to Turkish cuisine. Turkish spice culture developed over centuries of trade and cultural exchange. The Ottoman Empire’s vast territory allowed for the cultivation and trade of numerous spices, while the empire’s diverse population contributed different culinary traditions. This history explains why Istanbul’s spice markets offer such variety and why Turkish cuisine incorporates flavours from across the Mediterranean, Middle East, and Central Asia.

The spice market today caters heavily to tourists, a far cry from what it used to be, with vendors selling everything from traditional spices to novelty items like “Turkish Viagra tea” (likely a blend of herbs with no proven medicinal properties). However, authentic spice shops still operate here.

An Unexpected Group Dynamic

That evening, we met with the rest of the tour group. Our group gathered around a street-side table in Istanbul, waiting for our eighth and final member who had been delayed. Our group had clicked immediately, and someone joked that the missing traveller might be the odd one out. At that moment, a man walked past our table with a distinctly sour expression. We called out the missing member’s name as a joke, not expecting it to actually be him – but it was!

His taxi driver had taken him on an expensive detour around the city (taxi drivers across Istanbul are notorious for being scammers), explaining his mood. Once he joined our table and shared his story, his demeanour shifted completely. Later that evening, several of us continued to a rooftop bar, where conversations flowed as easily as the drinks. Istanbul’s Sultanahmet district, where we stayed, contains numerous hotels with rooftop terraces offering views of the city’s distinctive silhouette of domes and minarets.

Our group of eight travelled around the country in a van, staying in budget hotels and exploring destinations that attracted a younger backpacker crowd. The tour format allowed for spontaneous discoveries and shared experiences that individual travel might have missed, as more posts will soon show.

See here for more images of Istanbul

Within the city, the Tomb of Salim Chishti enshrines the burial place of the Sufi Saint, Salim Chisti. The tomb itself is built out of marble and includes inscriptions from the Quran. Because of it’s Muslim background, I was given a cap (I think it was this) to cover my head before entering.

Within the mausoleum, people perform rituals to ask for a blessing and fulfillment of their wishes. Inside the mausoleum, people tie thread along the walls and it is believed that this is a reminder to the saint of their wishes – maybe my wish will come true!

More pictures of Fatehpur Sikri here

It was built by the Mughal emperor Shah Jahan to house the tomb of his wife (and then later the emperor himself) and was built out of marble. The different colours on the building are purely a consequence of different varieties of marble from different parts of the world that have different colours. Artisans from all over were employed to do this work.

What’s also interesting, is that the minarets (the four tower structures) are tilted slightly outward to prevent them from crashing onto the dome in the event of an earthquake.

I’d seen pictures of Taj Mahal in the past, but I never really paid much attention to them – it was hard to tell that the building was built out of marble, so it just looked like a white structure to me. Upon seeing it in real life, I definitely had a much much greater appreciation for its beauty.

Links to photos here