Iglesia de San Antón

As we explored Granada, we happened upon the Iglesia de San Antón. The church is a baroque church founded in 1534 by the Franciscan Terciaries.

It reminded me of the ornate Catholic churchs often seen in Rome.

The Resting Place of Royalty

Next we, explored the Royal Chapel, one of Granada’s most historically profound spaces. Here lie the remains of Isabella I of Castile and Ferdinand II of Aragon, the Catholic Monarchs whose conquest of Granada in 1492 marked the end of nearly eight hundred years of Islamic rule on the Iberian Peninsula.

Inside, a magnificent marble mausoleum sculpted by Florentine artist Domenico Fancelli depicts the monarchs in recumbent poses – Ferdinand in armour with his sword, Isabella in simple dress with her hands folded to symbolize humility.

The symbolism of their burial in Granada was deeply personal to Isabella; the city represented the culmination of her life’s obsession, the final Christian victory over the Islamic kingdoms that had ruled the Iberian Peninsula for centuries.

Adjacent to the Royal Chapel stands the Granada Cathedral, a grand Renaissance structure that dominates the city centre, and was built on the site of the city’s former mosque.

Artisanal Flavours of Granada

As we wandered through Granada’s narrower shopping streets, we discovered small artisanal shops selling local specialties that quickly became personal favourites. Candied nuts – pistachios, almonds, and walnuts coated in crystallized sugar – were impossible to resist, their nutty sweetness a perfect afternoon snack as we navigated cobblestone alleyways.

We also found Turkish delight, those jewel-like cubes of gelatin dusted with pistachios or coated in chocolate, a confection with roots stretching back through centuries of Mediterranean and Middle Eastern trade. These small shops, tucked away in corners we might have otherwise missed, represented the kind of authentic local commerce that rarely makes it into guidebooks – the sort of place where shopkeepers know their craft and take genuine pride in what they produce.

The Albaicín

We ventured into the Albaicín, Granada’s oldest neighbourhood, which occupies one of the city’s three main hills and feels like stepping back centuries into Islamic-era Granada. The Albaicín is immediately recognizable as distinct from modern Granada – its labyrinthine street layout, and narrow cobblestone alleys all follow the pattern established during the 11th century when the Zirid dynasty first settled here.

UNESCO designated the Albaicín a World Heritage Site in 1994, recognizing its rich legacy of vernacular Arab architecture harmoniously blended with Andalusian styles. Walking through these streets, the remains of the Alcazaba Cadima fortress walls, historic gates like the Puerta de las Pesas, and churches converted from mosques stand as reminders of Granada’s storied past.

During our exploration of the Albaicín, we stumbled upon a small artisanal perfume shop. Inside, the proprietor had created a compact museum documenting the historical methods of perfume production, with displays showing traditional distillation apparatus.

Ascending to the Sacromonte Caves

We decided to walk from the Albaicín up to the Sacromonte caves, climbing further up the adjacent hill overlooking the city.

The neighbourhood gradually transformed as we ascended – the tightly packed streets gave way to buildings with whitewashed façades emerging directly from the hillside, with good viewpoints of the Alhambra.

Sacromonte Caves: Architecture and Living Conditions

The Sacromonte represents a profound chapter in Granada’s history linked to the Roma people, originating from South Asia but historically misidentified as Egyptians, hence the term “Gypsies.” Roma communities settled in the Sacromonte from the 16th century, living in the caves due to social exclusion and developing the flamenco tradition there.

We spotted fruit trees near the cave dwellings: pomegranates, and tangerines that would have provided sustenance. They also coexisted with animals within and around the caves.

The caves are architectural responses to environment and marginalization: whitewashing the limestone interiors with plaster to regulate temperatures through hot summers and cold winters. This cooling technique influenced nearby houses as well. Forced displacement in the mid-20th century due to natural disaster risk ended the community’s residence, turning the caves into tourist sites while the Roma were pushed out. Seems strange that now that they are gone, the government is earning money from their story – and not the Roma.

Walking the paths, the views of Albaicín below and the Alhambra above framed the neighbourhood’s complex history.

A Culinary Experiment

We dined at Atelier Casa de Comidas, a Michelin-recommended restaurant with an open kitchen near Granada’s centre. The tasting menu included some fascinating dishes that showcased a blend of local and innovative flavours. One starter featured tomate fermentado con caballa – fermented tomato paired with rich mackerel, that offered a fun texture with a balance of acidity and umami.

The menu also included a refreshing gazpacho anisado con quisquillas, an anise-flavoured cold tomato soup served with small shrimp, paired with a homemade green curry of arugula and the citrusy note of finger lime.

On the heartier side, gurullos con morro de ternera Pajuna y thermidor de cigalas paired beef snout and a rich sauce usually reserved for lobster, enhancing the seafood-meets-land narrative. The veal snout was mildly interesting, but not my preferred flavour profile, nor texture.

The main dish of lomo de jabalí curado en Koji y botánicos was wild boar loin cured in koji fungus and botanicals, served with saffron pear, and a Romaine sauce

Despite the refined technical execution and creative flavour pairings, we enjoyed the meal, but ultimately found the overall flavour profiles less aligned with our personal tastes.

The Alhambra Generalife Gardens

Our final day was devoted to the Alhambra, Granada’s UNESCO World Heritage Site and one of the finest examples of Islamic architecture. We started at the Generalife gardens, the summer palace and pleasure grounds of the Nasrid emirs.

Meaning “Gardens of the Architect” or “Gardens of Paradise,” the Generalife features tiered terraces with flowers, and fruit trees – pomegranates, figs, citrus – and flowing water channels and fountains that create a cool, sensory landscape.

Water’s central role symbolizes life and paradise in Islamic art.

The Alhambra Nasrid Palace

Inside the Nasrid Palace of the Alhambra, intricate mosaic tiles formed geometric and calligraphic patterns.

The palace’s crown jewel is the Court of the Lions, with its marble fountain supported by twelve stone lions channeling water in four directions, representing paradise flowing to the world. The Alhambra’s advanced water system animates its fountains and pools, blending engineering with artistic expression.

Surrounding halls feature plaster honeycomb-like muqarnas vaulting, engineered to play with natural light dynamically throughout the day. These domes and vaults are built from thousands of small, modular plaster pieces that fit together like a complex three-dimensional puzzle. Each piece is precisely carved and assembled, allowing the ceiling to achieve both its structural integrity and intricate, stalactite-like appearance.

This technique is not only decorative but also serves as a unique architectural solution that distributes weight evenly and creates celestial effects as light filters through.

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Instead of fitting into simplified geographical labels, there’s a strong sense of being part of a culture formed in the crossroads of Europe and Asia, shaped by both the legacy of the Ottoman Empire and the reforms of the modern Turkish republic. Many people see themselves as belonging to a distinct Turkish identity.

Hagia Sophia’s Thousand-Year Transformation

Our first stop was the magnificent Hagia Sophia, a structure that embodies Istanbul’s identity more than any other building. Originally constructed by Byzantine Emperor Justinian I between 532 and 537 CE, this architectural marvel has undergone many transformations.

The building’s history reads like a political timeline of empires. For nearly a millennium, it served as the principal cathedral of Eastern Christianity until 1453, when Sultan Mehmed II converted it into a mosque following the Ottoman conquest of Constantinople. The Ottomans didn’t destroy the Christian elements but rather incorporated them into their Islamic architecture, adding minarets, a mihrab, and a minbar while preserving many of the original Byzantine mosaics. Even today it remains the centre of politics, having witnessed protesters unfurling a “Free Palestine” sign, before quickly removing it, presumably for a social media campaign. Other sensitive topics like the Armenian genocide and the population exchange with Greece reflect ongoing struggles with historical memory and national identity. Our guide tended to avoid these questions, due to their political sensitivity.

The transformation continued into the modern era when Mustafa Kemal Atatürk converted it into a museum in 1934, symbolizing Turkey’s secular reforms. For 86 years, it existed as a unique blend of Christian and Islamic heritage until July 2020, when it was reconverted to a mosque. This most recent change sparked international debate, but it ensures that this architectural wonder continues to serve as a living, breathing place of worship rather than merely a historical artifact.

What captures visitors’ attention immediately are the massive circular calligraphic roundels – some of the largest in the Islamic world. These wooden panels, inscribed by the Ottoman calligrapher Kazasker Mustafa İzzet Efendi, display the names of Allah, Prophet Muhammad, the first four caliphs (Abu Bakr, Umar, Uthman, and Ali), and Muhammad’s grandsons Hassan and Hussein.

The Christian mosaics that survive today offer glimpses into Byzantine artistry. During the Ottoman period, many were plastered over but not destroyed, allowing for their later restoration during the museum years.

The Blue Mosque: Six Minarets and an Architectural Controversy

Directly across from Hagia Sophia stands the Sultan Ahmed Mosque, better known as the Blue Mosque, completed in 1616 during the reign of Sultan Ahmed I. The mosque was designed by architect Sedefkar Mehmed Ağa as an imperial show of strength to complement the imposing Hagia Sophia. Its most distinctive feature – six minarets – caused considerable controversy when first built, as only the Prophet’s mosque in Mecca possessed the same number. Unlike Hagia Sophia’s converted structure, the Blue Mosque was purpose-built as a place of Islamic worship.

Minarets serve both functional and symbolic purposes. Their number indicates a mosque’s importance: most mosques have one minaret, significant mosques have two, and only the most important imperial mosques have four or more. Originally, muezzins climbed these towers five times daily to call the faithful to prayer, with the call projecting in all directions from the circular galleries.

The mosque earned its popular name from the more than 20,000 handmade İznik tiles that adorn its interior. These ceramic masterpieces feature intricate designs of tulips, roses, carnations, and lilies in predominantly blue hues, beautifully illuminated by 260 windows. The craftsmanship represents the pinnacle of Ottoman ceramic art, with each tile contributing to a harmonious whole that creates an almost meditative atmosphere.

During our visit, we observed the quiet distribution of Qurans to interested visitors, reflecting the mosque’s role as both a place of worship and cultural exchange.

The Basilica Cistern’s Mysterious Depths

Built in the 6th century during Emperor Justinian I’s reign, this underground marvel was designed to supply water to the Great Palace of Constantinople and Hagia Sophia. The engineering achievement is staggering: 336 marble columns, each approximately 9 meters tall, arranged in 12 rows of 28 columns, supporting the weight of the vaulted ceiling above.

The cistern’s most intriguing features are the Medusa heads serving as column bases. These carved blocks were discovered during restoration work between 1985 and 1987, having remained hidden for centuries.

Several explanations exist for these mysterious sculptures. Some historians believe the heads were intentionally placed upside down to neutralize Medusa’s legendary power to turn viewers to stone. Others suggest they were simply repurposed architectural elements from earlier Roman buildings, positioned for purely structural reasons. A third theory proposes they were placed as protective talismans against evil spirits.

The cistern’s Islamic history reveals an interesting cultural perspective on flowing versus still water. When the Ottomans conquered Constantinople, they largely abandoned the cistern because Islamic tradition considers moving water more spiritually pure than stored water. This cultural preference led to the cistern’s gradual neglect until its rediscovery and restoration in the modern era.

The atmospheric lighting and the sound of water dropping from the ceiling create an almost mystical environment that makes visitors feel like they’re exploring an underground cathedral. The wooden walkways allow close examination of the varied column capitals, some Corinthian, others Ionic or Doric, evidence that the builders sourced materials from diverse ancient structures throughout the empire.

Imperial Opulence: Inside Topkapi Palace

Topkapi Palace served as the primary residence of Ottoman sultans for nearly 400 years, and walking through its courtyards and chambers offers an intimate glimpse into imperial life. The palace complex is vast, containing multiple courtyards, residential quarters, administrative buildings, and the famous Harem, where the sultan’s family and concubines lived in seclusion.

The palace’s Sacred Relics chamber houses one of the world’s most significant collections of Islamic artifacts. These relics were brought to Istanbul in 1517 when Sultan Selim I conquered the holy cities of Mecca and Medina, establishing himself as Caliph. The collection includes items purportedly belonging to Prophet Muhammad himself: strands of hair from his beard, a tooth, his footprint, several swords, and most significantly, the Blessed Mantle (Hırka-i Saadet).

The chamber where these relics are displayed maintains a profound spiritual atmosphere, with an imam continuously reciting Quranic verses, a practice that has continued for centuries.

Whether one believes in the authenticity of these artifacts or not, their historical significance as symbols of Islamic leadership and spiritual authority is undeniable. The scholarly consensus confirms that Prophet Muhammad was indeed a historical figure who lived in western Arabia during the early 7th century CE, supported by contemporary Byzantine, Syrian, and Armenian sources.

The palace also contains remarkable examples of Ottoman craftsmanship and design. The tile work throughout the complex rivals that of Portugal’s Sintra Palace but with distinctly Turkish colour palettes and motifs[highlighted in visitor notes]. The various reception halls, and the sultan’s private chambers each tell stories of ceremony, diplomacy, and daily life in the Ottoman court.

The Harem quarters, often misunderstood as merely the sultan’s private domain, actually functioned as a complex social institution housing the royal family, their servants, and administrators. The intricate tile work, painted ceilings, and carefully designed spaces reveal the sophisticated court culture that governed the Ottoman Empire at its zenith.

A Culinary Disappointment: Fine Dining Falls Short

Our evening took us to a restaurant featured in the Michelin Guide, not a starred establishment, but one included in their recommendations. The experience proved disappointing. The meal began promisingly with traditional Turkish tea, and fresh bread. However, the execution fell short. While I generally like this cuisine, I didn’t enjoy their execution of it.

We began with a mezze platter featuring chickpea yogurt, spicy tomato spreads, stuffed grape leaves, feta cheese, and hummus. It looked good, but Each dish supposedly carried historical Ottoman connections, but the preparation lacked finesse.

All red meat was cooked well-done, reflecting traditional Turkish preferences that prioritize food safety over texture. While this cooking style has deep cultural roots, this part I had trouble getting used to.

I did enjoy the restaurant’s attempt to connect each dish to Ottoman history. The finale of apple tea was genuinely excellent. Even with the historical ambiance and cultural storytelling, the experience has room for improvement by international standards.

Farewell Moments: The Human Connection

Our most meaningful experiences came not from monuments but from human connections. Saying goodbye to our tour group at a local bar revealed the true value of shared travel experiences. The group had developed strong bonds, inside jokes, and genuine friendships over just a few days. While our tour guide occasionally seemed overwhelmed by the group’s energy and humour, his professionalism and knowledge enhanced our understanding of each site significantly.

I checked in together with one of our tour group members who happen to have the same flight connection as me, but in the process, the attendant mistakenly checked one of her suitcases under my itinerary, and I noticed it too late, causing us to spend time to work with the airline to return her luggage, a process that, thankfully, worked out a day later. I also met an Indian passenger on her first flight ever – traveling from India to Turkey to Frankfurt to Canada.

These moments reminded us that while Istanbul’s historic sites provide the framework for exploration, the people we meet, fellow travelers, guides, and locals enriches sightseeing into genuine cultural exchange. The laughter, shared observations, and collective wonder at ancient achievements created memories that we will carry with us.

Practical Observations: Modern Istanbul’s Challenges

The economic challenges facing Turkey were evident in pricing that approaches American levels despite significantly lower local wages. Inflation rates exceeding 47% in late 2024 have created substantial pressure on both residents and visitors. Unlike some nations, Turkey didn’t engage in excessive pandemic spending; however, several distinct factors have fueled inflation, such as persistent currency devaluation, lowering interest rates in the face of rising prices, and heavy reliance on imported goods (some even highly taxed). The political situation continues to generate debate, with critics arguing that democratic institutions have been weakened while supporters maintain that stability has been preserved.

The taxi situation in Istanbul remains problematic for tourists, with widespread reports of scams including overcharging, longer routes, and “broken” meters. The prevalence of these issues suggests systemic problems that detract from the city’s tourism appeal. Using public transportation or pre-arranged transfers appears advisable for visitors.

Istanbul’s airport stands out for its striking design and enormous scale (albeit with less than sufficient air conditioning), and amenities like business lounges with a mini golf course and a pool table give arriving travellers a strong first impression. However, this impressive gateway doesn’t fully hide the economic and social challenges that many people in Turkey face beyond its sleek halls.

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Stepping onto the grounds of Laodicea felt like entering a secret world. The site was remarkably quiet, with virtually no other visitors in sight. We wandered through millennia of history with an almost eerie sense of solitude, as if the ancient ruins had been preserved exclusively for our exploration. This isolation allowed us to fully appreciate the magnitude and significance of what lay before us without the typical crowds found at more famous archaeological destinations.

The Rich Heritage of Laodicea

Laodicea on the Lycus represents one of Turkey’s most significant archaeological sites, earning its place on the UNESCO World Heritage Tentative List in 2013. Located near the modern city of Denizli in southwestern Turkey, this ancient settlement served as a major crossroads in the Roman Empire. Founded between 261-253 BCE by Antiochus II Theos of the Seleucid Empire, the city was named in honour of his wife, Laodice. Archaeological evidence suggests continuous habitation from approximately 5500 BCE to the seventh century CE, making this site a remarkable window into thousands of years of human civilization.

The city flourished as a major commercial hub during the Roman period, positioned strategically at the crossroads of important trade routes connecting western, central, and southern Anatolia. Laodicea became renowned for its banking services, black wool trade, and medical achievements. The city’s prosperity was legendary – when a devastating earthquake struck in 60 CE, the wealthy inhabitants famously refused financial assistance from the Roman Empire, choosing instead to rebuild using their own resources.

The Monument to Trajan: A Marvel of Imperial Propaganda

Among Laodicea’s most remarkable discoveries is the Monument to Trajan, a masterpiece of Roman sculptural art that commands attention and respect. This extraordinary 3-metre-tall statue, dating to 113 CE, depicts Emperor Marcus Ulpius Traianus in full military regalia, showcasing the artistic sophistication of the Roman Empire at its peak. The statue was discovered in 356 fragments beneath an ancient fountain and has been meticulously reconstructed by archaeologists.

The monument serves as a fascinating example of how Roman emperors used public art to communicate their power and achievements.

A Glimpse of Preserved Ancient Ceilings

One of our most exciting discoveries was encountering preserved ceiling structures, a relatively rare find in ancient archaeological sites.

Most ancient buildings have lost their roofs and upper architectural elements over the millennia, making ceiling remains particularly valuable for understanding original construction techniques and decorative programs.

The Partially Excavated Amphitheatre

Laodicea’s amphitheatre represents an ongoing archaeological project that illustrates the meticulous nature of modern excavation work. Unlike fully restored sites, this partially excavated structure allows visitors to witness archaeology in progress. The amphitheatre reveals the complexity of ancient entertainment venues, with its sophisticated underground systems for staging elaborate performances and spectacles.

The structure demonstrates the Romans’ engineering prowess in creating venues that could accommodate thousands of spectators while providing optimal sight lines and acoustics. The site actually contains two theatres: the West Theatre, built in the 2nd century BCE during the Hellenistic period with a capacity of 8,000 spectators, and the larger North Theatre, constructed during the Roman Imperial period with seating for up to 15,000 people. Excavation work continues to reveal new details about how these ancient entertainment complexes functioned, including staging areas, animal holding pens, and mechanical systems used to create spectacular shows for ancient audiences.

Laodicea boasts some of the most impressive archaeological remains in Turkey. Even today, the site is still being excvated.

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Troy: Where Legend Meets Archaeological Reality

Standing before the ancient walls of Troy, we grappled with questions that have fascinated scholars and visitors for centuries.

Troy, designated as a UNESCO World Heritage Site in 1998, sits on the mound of Hisarlık in northwestern Turkey, approximately 4.8 kilometres from the Dardanelles. This ancient city served as a crucial bridge between Anatolia and the Mediterranean world for over 4,000 years.

The Oral Tradition Question

One of the most intriguing aspects we discovered was the relationship between Homer’s Iliad and Odyssey and historical fact. These epic poems weren’t initially written documents but rather oral traditions passed down through generations of travelling bards called aoidoi. Archaeological evidence suggests these stories (like the story of the Trojan Horse) were orally composed and performed, likely accompanied by a lyre, sometime in the 8th century BCE before being transcribed.

The poems contain significant embellishment, they’re not non-fiction in the modern sense, but rather traditional tales that wove together historical events, cultural memories, and mythological elements. Modern scholars believe these oral traditions preserved genuine Bronze Age details, including descriptions of weapons, architectural features, and place names that had disappeared by Homer’s time.

The Trojan Horse: Myth or Memory?

While no direct archaeological evidence proves the existence of a wooden horse, the story likely preserves memories of actual siege tactics. Ancient armies did use various deception strategies, and the horse story may represent a folk memory of how Troy ultimately fell, whether through trickery, betrayal, or siege engineering.

The Nine Layers of Time

Troy’s archaeological complexity becomes apparent when examining its nine distinct settlement layers, designated Troy I through IX. Each represents a different period of occupation spanning over 4,000 years, from around 3600 BCE to 500 CE. These layers weren’t built simultaneously but rather represent successive cities constructed atop their predecessors’ ruins.

Troy I, the earliest settlement (3000-2550 BCE), featured massive limestone fortifications. Troy II (2500-2300 BCE) showed remarkable wealth and sophisticated urban planning. Troy VI (1750-1300 BCE) and Troy VIIa (1300-1180 BCE) correspond most closely to the period when the legendary Trojan War would have occurred, showing evidence of violent destruction that aligns with Homer’s narrative.

Construction Mysteries Revealed

The ancient builders demonstrated remarkable engineering skills. They chiselled limestone blocks using bronze tools and wooden wedges, creating walls that incorporated a distinctive “sawtooth” pattern common in Mycenaean architecture. The fortifications reached heights of over 9 metres, with wooden and mudbrick superstructures atop limestone foundations.

Regarding lead pipes, archaeological evidence suggests lead was indeed used in joints and connections of water systems, though the full extent of its use in Troy’s infrastructure remains under investigation. The builders had access to advanced metallurgy, including bronze working and sophisticated water management systems.

Environmental Changes Over Time

Troy’s decline wasn’t solely due to warfare. The ancient city’s strategic position near water sources gradually changed due to natural sedimentation. The coastline shifted over millennia, and what was once a major harbour became landlocked. Climate changes and the silting up of waterways contributed to the city’s eventual abandonment as a major trade centre. The land where the water used to be is now farmland.

We found seashells embedded in the excavated soil, evidence of Troy’s ancient connection to the sea and the geological processes that have reshaped this landscape over thousands of years.

The Troy Museum Experience

Our visit to the recently opened Troy Museum in nearby Tevfikiye village provided essential context for understanding the archaeological site. Tevfikiye, a small village in Çanakkale Province, houses this award-winning museum that opened in 2018 and contains over 2,000 artifacts spanning Troy’s entire history. The striking cube-shaped building, clad in weathering steel, was designed to echo the archaeological excavation process, its height matches the depth of Troy’s excavation layers.

The museum’s interactive displays helped us visualize how the ancient city would have appeared at its height, complete with digital reconstructions of the citadel and lower town. Particularly impressive was the replica of Schliemann’s famous “Treasure of Priam,” the original of which remains in Moscow’s Pushkin Museum.

Ayvalik: A Minor Stop with Major Impact

After the history lesson at Troy, Ayvalik served as a more relaxed interlude in our journey. We made a visit to çöp(m)adam, a social enterprise that demonstrates how traditional communities can embrace innovative solutions to modern challenges. The name itself contains a clever Turkish pun: “çöp” means “garbage” or “trash” in Turkish, while “madam” adopts the French word for “female.” Together, “çöp(m)adam” literally translates to “garbage ladies”, a playful yet meaningful reference to the project’s mission of transforming waste into fashionable accessories.

Founded by American social entrepreneur Tara Chantal Hopkins, çöp(m)adam addresses women’s employment challenges in a country where female workforce participation historically faced cultural barriers. The project employs local women who create unique handbags, accessories, and home goods from recycled materials, including fabric waste from local manufacturers. It provides women with their first salaried employment opportunities, enabling financial independence in a traditionally male-dominated economic environment.

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First Impressions of a Continental Bridge

The journey to Istanbul had begun with a business class flight, featuring a surprisingly excellent grilled duck leg – tender, juicy, and far exceeding expectations for airline cuisine. The connection through Madrid provided time to relax in the lounge before boarding Turkish Airlines for the final leg.

Turkish Airlines, the country’s flag carrier, serves traditional Turkish mezze platters on international flights, featuring selections like ezme (spicy tomato paste), muhammara (red pepper and walnut dip), and various cheese preparations. The cold appetizer service, while authentically Turkish, presents flavours that challenged my unaccustomed palates with their intensity and unique spice combinations.

Our first night’s accommodation was a newly constructed hotel that showcased both the promise and pitfalls of Istanbul’s rapidly expanding tourism infrastructure. While the breakfast buffet displayed beautiful presentation, the protein selection was limited. One memorable detail was the availability of purple olives, which are actually black olives that have been treated with a natural fermentation process, giving them their distinctive colour and slightly different flavour profile. The newly opened hotel gleamed with modern finishes, yet a closer look revealed shortcuts beneath the polish: water from the sink’s U-trap had a slow drip, hinting at rushed plumbing work.

Walking Through Conquest

In the morning, we met a subset of our group tour that also signed up for this optional walking tour. It began at the Gate of Charisius of the Theodosian Walls, the massive fortification system that protected Constantinople for over 1,000 years until Ottoman Sultan Mehmed II finally breached them in 1453. These walls, built in the 5th century, stretched for 12 miles and featured double lines of defence with towers and gates. The conquest of Constantinople marked the end of the Byzantine Empire and the beginning of Ottoman rule over this strategic city.

Our guide also shared a local idiom about fig trees, explaining that calling a “fig tree” appears complimentary but actually suggests they ruin everything around them – much like how fig trees’ aggressive root systems can damage foundations and infrastructure.

Mihrimah Sultan Mosque

We visited the Mihrimah Sultan Mosque, designed by the master architect Mimar Sinan in the 16th century. This mosque, one of two built for Sultan Süleyman’s daughter, demonstrates the sophisticated engineering and spiritual symbolism of Ottoman architecture.

Mosque architecture reflects Islamic principles and practical needs. The mihrab (prayer niche) always faces Mecca, orienting worshippers toward the holy city. The minbar (pulpit) stands to the right of the mihrab, while the main prayer hall remains free of furniture to accommodate prostration. The qibla wall (facing Mecca) receives the most decorative attention, often featuring intricate calligraphy and geometric patterns.

The building process showcased the ritual of wudu (ablution), which Muslims perform before prayer. The wudu process follows specific steps: first, practitioners state their intention and say “Bismillah” (in the name of Allah). They then wash their hands three times, rinse their mouth three times, cleanse their nostrils three times, wash their face three times, wash their arms up to the elbows three times, wipe their head once, clean their ears, and finally wash their feet up to the ankles three times. This purification ritual prepares both body and mind for prayer.

Church of St. Mary of the Spring

The Church of St. Mary of the Spring, known as Zoödochos Pege, represents a significant Orthodox Christian site. Emperor Justinian I built the original church here in the 6th century. The current structure dates to 1835, rebuilt after Ottoman forces destroyed the Byzantine-era building.

The church’s Byzantine art reflects the Eastern Orthodox tradition that survived the Iconoclastic periods of the 8th and 9th centuries. These paintings, featuring saints and angels with golden halos, represent the triumph of iconophiles (image-lovers) over iconoclasts (image-breakers). The artwork employs traditional Byzantine techniques, using gold leaf backgrounds to suggest divine light and eternal glory.

The holy spring beneath the church has attracted pilgrims for 1,500 years. Orthodox Christians believe the water possesses healing properties, and the site remains active for religious ceremonies.

Culinary Discoveries

Our lunch featured a carefully curated selection of Turkish dishes, including pide, often called “Turkish pizza” but more accurately described as boat-shaped flatbread topped with various ingredients. Traditional pide dough contains flour, yeast, water, salt, and sometimes yogurt or olive oil. The boat shape is formed by folding the edges, creating a rim that holds ingredients like minced meat, cheese, or vegetables seasoned with Turkish spices such as cumin, paprika, and parsley.

The meal also included various mezze spreads, including hummus and spicier preparations, along with vegetables cooked in clay pots – a traditional method that infuses food with earthy flavours while retaining moisture and nutrients.

The Art of Turkish Coffee

Turkish coffee preparation represents a centuries-old tradition that UNESCO recognized as an Intangible Cultural Heritage of Humanity. The process begins with finely ground coffee beans, ground to a powder-like consistency much finer than regular coffee. The coffee is brewed in a cezve (a small, long-handled pot traditionally made of copper) with cold water and sugar if desired.

The brewing process requires patience and attention. The cezve is heated slowly over medium heat, allowing the coffee to warm gradually. As it heats, dark foam begins to form. The key moment arrives when the coffee approaches a boil – the foam is carefully distributed among the cups before the coffee itself is poured. This foam is considered essential to proper Turkish coffee service.

The resulting coffee has an earthy, intense flavour that can surprise newcomers. The grounds settle at the bottom of the cup, and the coffee is never stirred once served. The texture is notably different from filtered coffee, with a slightly grainy consistency that reflects the traditional preparation method. This coffee culture extends beyond mere consumption – it plays a role in social rituals, including traditional marriage customs where the bride-to-be serves coffee to the groom’s family.

Living History in Modern Times

Our exploration revealed parts of town where residents have built apartments directly on top of the old city walls that once surrounded Constantinople. These informal settlements demonstrate how Istanbul’s residents have adapted historic structures for modern needs.

Cruising the Continental Divide

The Bosphorus cruise provided perspectives on Istanbul’s architectural evolution across different periods and empires. This narrow strait, connecting the Black Sea to the Mediterranean, serves as the boundary between Europe and Asia, making Istanbul the only city spanning two continents.

As the ferry glided along the strait, we caught sight of Hagia Sophia and the Topkapi Palace (which I will get into in a later post).

Historic yalı (waterfront mansions) line the shores, representing the Ottoman elite’s summer residences. These wooden structures, many dating to the 18th and 19th centuries. People still live in these houses today, and for a time, they could lounge on their patio overlooking the river, but not many more due to the tourist traffic.

We observed the Ortaköy Mosque, a 19th-century gem celebrated for its ornate baroque revival design, delicate stonework, and prominent twin minarets.

The cruise also revealed the Rumeli Fortress, constructed in just four months in 1452 by Sultan Mehmed II as part of his conquest preparations. This fortress, along with the Anadolu Fortress on the Asian side, allowed the Ottomans to control Bosphorus traffic and cut off Byzantine supply lines.

From the water, we observed the Dolmabahçe Palace, a 19th-century Ottoman palace that served as the empire’s administrative center during its final decades.

The Spice Route’s Istanbul Hub

The Spice Bazaar, built in 1664 as part of the New Mosque complex, served as a crucial link in the global spice trade. Historically called the Egyptian Bazaar because it was funded by revenues from Egypt, the market connected Asian spice producers with European consumers.

Turkey’s position along historic trade routes gave it access to spices from across Asia, but the country also produces distinctive spices that reflect its unique climate and culinary traditions. Turkish red pepper flakes (pul biber) vary in heat levels and include smoky varieties like isot biber from Şanlıurfa. Sumac, made from berries of the Rhus coriaria bush, provides a citrusy tartness that’s become essential to Turkish cuisine. Turkish spice culture developed over centuries of trade and cultural exchange. The Ottoman Empire’s vast territory allowed for the cultivation and trade of numerous spices, while the empire’s diverse population contributed different culinary traditions. This history explains why Istanbul’s spice markets offer such variety and why Turkish cuisine incorporates flavours from across the Mediterranean, Middle East, and Central Asia.

The spice market today caters heavily to tourists, a far cry from what it used to be, with vendors selling everything from traditional spices to novelty items like “Turkish Viagra tea” (likely a blend of herbs with no proven medicinal properties). However, authentic spice shops still operate here.

An Unexpected Group Dynamic

That evening, we met with the rest of the tour group. Our group gathered around a street-side table in Istanbul, waiting for our eighth and final member who had been delayed. Our group had clicked immediately, and someone joked that the missing traveller might be the odd one out. At that moment, a man walked past our table with a distinctly sour expression. We called out the missing member’s name as a joke, not expecting it to actually be him – but it was!

His taxi driver had taken him on an expensive detour around the city (taxi drivers across Istanbul are notorious for being scammers), explaining his mood. Once he joined our table and shared his story, his demeanour shifted completely. Later that evening, several of us continued to a rooftop bar, where conversations flowed as easily as the drinks. Istanbul’s Sultanahmet district, where we stayed, contains numerous hotels with rooftop terraces offering views of the city’s distinctive silhouette of domes and minarets.

Our group of eight travelled around the country in a van, staying in budget hotels and exploring destinations that attracted a younger backpacker crowd. The tour format allowed for spontaneous discoveries and shared experiences that individual travel might have missed, as more posts will soon show.

See here for more images of Istanbul

A Contrast in Cities

The contrast between Vienna and Bratislava becomes apparent immediately upon arrival. While both cities share a Habsburg heritage, Bratislava’s economic situation differs markedly from its Austrian neighbour.

This disparity likely stems from Austria flourishing being a primary driver of European prosperity, while Slovakia being a part of another empires/kingdoms for centuries, and then spending four decades behind the Iron Curtain under Communist rule.

Christmas Spirit

Despite December temperatures hovering around freezing and biting winds sweeping through the streets, Bratislava’s Christmas markets created a warm atmosphere. Unlike Vienna’s markets, which balance merchandise and food, Bratislava’s focus heavily on traditional Slovak cuisine and glühwein.

We sampled a traditional potato pancake served with sour cream and various toppings. It tasted pretty much like a hashbrown with toppings. I also got to try glühwein mixed with absinthe, something I hadn’t had in years and isn’t common to find in North America.

Čumil the Sewer Worker

Among Bratislava’s most photographed attractions is Čumil, the “Man at Work” sculpture. Created by Viktor Hulík in 1997, this bronze figure peers out from a manhole cover. The sculpture brings a bit of character to the old town. While photographing Čumil, we noticed people observing tourists – a reminder to stay vigilant in crowded tourist areas.

The Opera House and National Identity

Our walking tour took us past the Slovak National Theatre. The Neo-Renaissance opera house, completed in 1886, was built during the Austro-Hungarian Empire. The facade features busts of famous playwrights and composers, none of whom are ethnically Slovak. This reflects the historical reality that Slovak national identity was still forming during the theatre’s construction. The first Slovak-language play was not performed at the opera house until the early 20th century.

Slovakia’s path to nationhood was complex, involving centuries under Hungarian rule, followed by inclusion in Czechoslovakia after World War I. The eventual peaceful dissolution of Czechoslovakia in 1993, known as the Velvet Divorce, marked Slovakia’s emergence as an independent nation. The Czech and Slovak languages illustrate this shared heritage, and are still mutually intelligible.

The UFO Bridge and the Memorial to the Jewish Quarter

A poignant stop on our tour was the site of a former synagogue. The Jewish Quarter was demolished during the construction of the UFO Bridge, officially known as the Bridge of the Slovak National Uprising, in the 1970s under Soviet rule. By that time, the area had been neglected for decades, likely due to the decimation of Bratislava’s Jewish population during the Holocaust. In its place, there’s now a memorial for where the old synagogue used to be.

The UFO Bridge itself has now become one of Bratislava’s most recognizable landmarks. Spanning the Danube without any supporting columns in the water, the bridge relies on suspension cables for structural integrity. Its unique design, with a circular restaurant perched atop, resembles a flying saucer, giving it the UFO moniker.

Christmas and Easter Traditions

Our guide shared some interesting Slovak holiday traditions. At Christmas, families often purchase live carp, allowing children to play with the fish in the bathtub for a day or two before it is prepared for dinner. Instead of Santa Claus, Slovakia’s version, Ježiško (Baby Jesus), visits children and brings them gifts. Easter brings another curious custom where boys pour water on girls they admire or value (romantic interests and female family members), a tradition thought to bring health and beauty. In return, the girls offer decorated eggs, booze or even money. The guide was completely aware how strange these traditions would sound to foreigners, and if you ask me, the Easter one seems a little bit one-sided.

Ascending to Bratislava Castle

The tour concluded with a climb to Bratislava Castle. Compared to grander castles in the region, Bratislava Castle reflects the city’s more modest resources.

Originally a military fortification, it achieved its greatest splendour under Maria Theresa’s reign in the 18th century when it was converted into a Habsburg residence. After a devastating fire in 1811, the castle fell into disrepair. During the communist era, reconstruction efforts were modest compared to its former glory, resulting in the simpler structure we see today.

From the top of the castle hill, visitors can see wind turbines in the distance. Interestingly, these turbines are located in Austria, as Slovakia does not yet have significant investments in wind energy.

See more of Bratislava here

Brunch, Magic Coffee, Chocolate, and Pasta Perfection

Melbourne’s reputation for excellent brunches was confirmed at The Hardware Société. I enjoyed a beef brisket with pearl onions and a soft-boiled egg, as well as an ahi tuna dish served with soft-boiled eggs and hummus.

I had heard of Melbourne’s reputation of having a really strong coffee culture, and I was eager to try the local specialty known as a “Magic”. This Melbourne invention consists of a double ristretto (a short, concentrated espresso shot) topped with steamed milk in a smaller cup than a standard latte. The result is a strong, creamy coffee with a rich flavour profile. While the coffee didn’t impress me as much as I expected, I really enjoyed the latte art.

The city’s culinary scene extends beyond coffee. I noticed a trend of adorning dishes with edible flowers, which adds visual appeal and subtle flavours.

I also visited Koko Black, a local chocolatier. While their actual chocolate tasted mediocre, their chocolate with embedded Tasmanian honeycomb stood out. The sweet, crunchy honeycomb added a nice crunchy texture and flavour to the chocolate.

One of the culinary highlights was dinner at Tipo 00, where we tried their pasta tasting menu. The freshly made pasta was cooked to perfect al dente, offering just the right amount of resistance to the bite. Their squid ink pasta was particularly memorable. This striking black pasta had a subtle briny flavour, with a silky texture that paired nicely with seafood. We took some leftovers home and they still had that al dente texture even after going through the microwave. Although I tried some wine pairings, they paled in comparison to the exceptional wines we had experienced at Oakridge Winery. We also attempted to dine at Serai, a Filipino fusion restaurant, but our poor planning meant we were still too full from our earlier meals to fully appreciate the experience.

On a lighter note, we spotted an ice cream shop called “Bing Chillin,” which I thought funny because it’s essentially a reference how John Cena says “ice cream” in Chinese. No idea if it even sells ice cream or whether it’s good.

Oakridge Winery

The culinary highlight was an indulgent four-course meal with wine pairings at Oakridge Winery in the nearby Yarra Valley. In my excitement, I committed a traveller’s cardinal sin – I forgot to take pictures of most of it.

The menu featured dishes that were a symphony of tastes and textures. We savoured duck with celeriac, chard, and blood orange. Another standout was the Smith & Jackson sirloin (local from the Yarra Valley), accompanied by spinach, charred leek, and horseradish. I particularly enjoyed the interplay of the beef’s richness with the sharp horseradish and slightly bitter charred leek. Even the potatoes served alongside were perfectly crisp, adding a satisfying textural element. For dessert, a chocolate torte arrived paired with artichoke ice cream (I was skeptical about the artichoke, but found surprisingly delightful). In addition, we indulged in a silky smooth buttermilk panna cotta served with sorbet.

Being at a winery, it seemed only fitting to opt for the wine pairing. The 2017 Oakridge Blanc de Blancs was a particular standout. This sparkling wine offered crisp multi-dimensional notes of citrus. Too bad this wine isn’t available where we live. For one of the wines, the waitress could point out in the distance where the grapes came from because those grapes came specifically from this plantation as opposed to the other Oakridge plantations in the area.

We spent nearly three hours at our window-side table, savouring each course while gazing out over the winery. The view of neat rows of vines stretching into the distance added to the overall sensory experience. Our waitress guided us through each course, explaining the intricate details of every dish. Even though her explanations have escaped me, I still appreciated the experience.

After our leisurely meal, we had hoped to take a stroll around the winery to walk off some of our indulgence. However, the weather had other plans. Despite it being only 12°C, the cold felt more biting than we expected.

Queen Victoria Market

This sprawling complex houses vendors selling everything from touristy trinkets to fresh produce. While some areas featured items of questionable quality, the stalls offering movie poster prints and art prints of landmarks of different countries interested me the most.

The market’s expansive food section was particularly impressive, reminiscent of markets I’ve visited in other cities like Vancouver’s Granville Island Market or Toronto’s St. Lawrence Market.

Laneways and Arcades

Melbourne’s laneways are a defining feature of the city’s urban landscape. These narrow streets and alleys, once neglected, have been transformed into vibrant pedestrian thoroughfares lined with cafes, boutiques, and street art. I explored Degraves Street, one of the most famous laneways, and was captivated by its European-style atmosphere and array of eateries.

Nearby, The Block Arcade offered a glimpse into Melbourne’s Victorian-era architecture. This elegant shopping gallery, built in the 1890s, features mosaic-tiled floors, a glass canopy, and wrought iron fixtures. Inside, I discovered the oldest tea rooms in Australia and, surprisingly, a Dr. Seuss art store selling high-end paintings inspired by the beloved children’s author’s works.

Flinders Street Station

Flinders Street Station, with its distinctive yellow façade and green copper dome, serves as a major landmark and transport hub. Built in 1910, it’s Australia’s oldest train station.

It reminded me a bit of Toronto’s Union Station in the sense that they’re both iconic transportation hubs of their respective cities.

Motorsport and Automotive Experiences

As a mild Formula 1 enthusiast, I visited the Melbourne Grand Prix Circuit at Albert Park. I tried to drive around the track, but found some sections blocked off.

The lake at Albert Park offered a view of Melbourne’s skyline. To my surprise, I spotted black swans gliding across the water – a first for me, but probably an unsurprising Australian sight.

Dutton Garage is a great place to go for car enthusiasts. This rare car dealership and showroom houses an impressive collection of vintage and exotic automobiles. I was particularly drawn to the classic Porsche 911s, with their iconic sloping rear deck, round headlights, and rear-mounted air-cooled engines. The showroom also featured sleek Ferraris and a few McLarens too.

I also had the opportunity to visit a BYD dealership. While not available in North America due to market dynamics and potential import restrictions, I got to get a glimpse of these Chinese-made electric cars, that to me had Tesla-like qualities, but at a lower price point, thanks in part to Chinese government subsidies. A cool fact I learned about BYD’s innovative battery technology that they can make batteries that don’t ignite when punctured, potentially allowing the batteries to be integrated into the car’s frame to reduce weight.

Shopping and Urban Exploration

As far as Melbourne’s shopping scene goes, I discovered R.M. Williams, a store specializing in Goodyear welted shoes made of different types of leather (even kangaroo), known for their durability and ability to be resoled (and also very expensive).

We attempted to take the City Circle Tram, a free service that loops around the central business district. We had hoped to learn about the city from the onboard commentary, but unfortunately found it difficult to hear over the noise of the tram and decided to explore on our own instead.

Our exploration also included a leisurely walk along the Yarra River, which winds through Melbourne. On the Sandridge Bridge, it features the “Travellers” exhibit, which is a series glass panels that offer information about the indigenous peoples of Australia and information about the demographics of immigrants (where they’re from, how many there were, why, etc.), reflecting the diverse cultural heritage of the nation. A common theme was that in the 21st century, across the westernized world, we’re being less and less likely to take on immigrants from weaker economic backgrounds.

Check here to see more of Melbourne, and the Oakridge Winery

Our cruise ship recently docked at the island of Cozumel off Mexico’s Yucatan Peninsula, providing us an opportunity to discover some of the destination’s cultural treasures, where we embarked on a day filled with sampling exotic honey, chocolate, and tequila.

We started our day wandering the waterfront of downtown Cozumel, browsing some souvenir shops selling standard tourist fare before visiting a spice shop. While the spices were vibrant, most weren’t actually native to the area, and just kind of felt like they were capitalizing on tourists feeling like they were getting something exotic. We had a more enjoyable time walking along the water looking at the scenery.

Next we headed inland to a Mayan bee sanctuary that maintains a variety of bees, the stingless Melipona bees among them. These bees are much smaller than the honey bees found in other parts of the world and look almost like tiny flies buzzing around the wooden hives. The bee population here is not so plentiful since there aren’t a lot of flowers in the area. They claim the Melipona bee honey produced here can actually be dropped directly into eyes as a treatment for various ocular ailments and has supposed antibacterial properties, but I’m skeptical on that. We sampled various honeys, though none compared what we got from Corsica.

Next, we explored the Mayan Cacao Company, delving into the ancient art of chocolate-making. Cacao was revered by the ancient Maya and even used as currency. The guide walked us through the historical process of creating Mayan chocolate – a rich paste rather than the familiar bars we are accustomed to. The gift shop did allow us to sample traditional chocolate bars and indulge in chocolate-flavored margaritas amidst vibrant parrots at the entrance.

Our Cozumel adventure continued with a visit to a tequila distillery. While the free samples were appreciated, we got to sample better variants once we chatted with the staff at the gift shop. The samples ranged from blanco to reposado (aged up to 1 year), but we weren’t able to sample the añejo (aged 1-3 years). This longer aging period contributes to a richer and more complex flavor profile, and takes on oaky flavours from the casks. Though despite all that, the prices there were tourist trap prices. The tequila there costed more than what I would have paid back home and I’m not sure the craft tequila premium was worth it. Also, true tequila aficionados it comes from Jalisco and not from the Yucatan.

Cozumel offered a glimpse into the Mayan traditions and Mexican Tequila. The best part of the tour was able to sample something at every place we went to.

See more of Cozumel here