Discovering Selçuk and Ancient Ephesus

We started our visit in Selçuk, small town in İzmir Province sits at the heart of one of Turkey’s most significant archaeological regions, where layers of Byzantine, Ottoman, and Roman history create a compelling narrative of civilizational change.

The Stork Highway of Ancient Rome

Walking through Selçuk’s streets during the ongoing heat wave, we couldn’t help but notice the most unusual sight: massive white storks perched confidently atop Roman aqueduct ruins and modern utility poles alike. These aren’t just random visitors – they’re part of an annual migration pattern that has turned this historic town into Turkey’s unofficial stork capital.

Every March, storks return to Selçuk from their winter homes in sub-Saharan Africa. The storks choose the highest points available for their nests, including the remnants of Byzantine aqueducts that once supplied water to ancient Ephesus. Local authorities have even installed special platforms on utility poles to prevent the birds from electrocution while preserving their traditional nesting sites.

Mysteries of the Multi-Breasted Goddess

Our visit to the Ephesus Museum revealed one of archaeology’s most debated artifacts: a towering statue covered in what appears to be dozens of breasts. This is the famous Artemis of Ephesus, but those protuberances might not be what they seem.

The 292-centimetre-tall statue actually represents a fascinating scholarly controversy. While traditionally interpreted as multiple breasts symbolizing fertility, many experts now believe these oval objects are bull testicles, hung as offerings during sacrificial ceremonies. Some scholars even suggest they could be bee larvae, as bees were sacred to Artemis. What makes this debate particularly intriguing is that none of the “breasts” have nipples – a detail that ancient sculptors, masters of human anatomy, would hardly have overlooked.

This statue likely stood in the Temple of Artemis, one of the Seven Wonders of the Ancient World, making it a tangible connection to one of antiquity’s most celebrated structures. The temple’s destruction by 401 CE means this museum piece represents our closest link to understanding how the ancient world venerated this powerful goddess.

Where Emperors Built Upon Apostles

The ruins of the Basilica of Saint John dominate Ayasoluk Hill, their weathered stones telling a story of imperial ambition, religious devotion, and inevitable decay. Emperor Justinian I commissioned this massive structure between 548 and 565 CE, designing it as both a pilgrimage destination and a worthy monument to house the tomb of John the Apostle.

The basilica measured 428 by 213 feet, making it potentially the seventh-largest church in the world if reconstructed today. Justinian modeled it after the Church of the Holy Apostles in Constantinople, creating a cruciform structure crowned with six domes. The builders incorporated materials from the nearby Temple of Artemis and other Ephesian ruins, recycling ancient marble and stones into Christian architecture.

The basilica’s decline began with Arab raids in the 7th and 8th centuries, which forced the construction of defensive walls around the structure. By 1304, invading Seljuk Turks converted part of the building into a mosque, and in 1402, Tamerlane’s Mongol army destroyed it during their invasion. Earthquakes in the 1360s completed the devastation, leaving the impressive ruins we see today.

A Castle Built on Sacred Ground

Crowning Ayasoluk Hill above the basilica ruins stands a fortress that represents the practical realities of medieval defense. The Ayasoluk Castle, built during the Byzantine era around the 6th century CE, incorporates stones from dismantled Roman buildings, including materials from Ephesian structures.

The castle’s strategic position made it valuable to successive rulers. Seljuk Turks expanded it after conquering the area in 1090, and Ottoman forces later added their own modifications. The fortress enclosed fifteen towers connected by 1.5 kilometres of walls, protecting a small community that included a mosque, cisterns, baths, and residential quarters.

What makes this castle particularly fascinating is its relationship with the basilica below. Rather than destroying the Christian site, medieval builders incorporated it into their defensive strategy, using the basilica’s walls as part of the lower fortress complex. This created unique architecture where Islamic military architecture literally rests upon Christian sacred space.

Divine Intervention at the Neighbourhood Mosque

Our exploration of Selçuk’s religious landscape led us to the İsa Bey Mosque, a remarkable example of 14th-century Anatolian architecture. Built between 1374-75 by Syrian architect Ali ibn el-Dimişki, this mosque demonstrates the transitional period between Seljuk and Ottoman architectural styles.

The mosque’s segregated prayer areas for women represent traditional Islamic practice, though such arrangements can appear restrictive to visitors from different cultural backgrounds. These architectural divisions reflect religious interpretations that prioritize modesty and separate worship spaces, practices that have shaped Islamic religious architecture for centuries.

During our visit, we discovered that the mosque offers free Quran copies to interested visitors – a practice that connects contemporary Islamic outreach with the site’s long history as a religious centre. While there, we met a local man who was especially eager to talk to us about Islam. He explained that he hadn’t actually planned to visit the mosque at that time; he was on his way to complete some errands, but on a whim decided to stop by and pick up a Quran for a friend. Instead, he ran into us and was convinced that our meeting was no coincidence, telling us he believed it was divine intervention.

Our conversation quickly turned philosophical. He earnestly shared his belief that the Quran contains the answers to every question in life, presenting it as the ultimate guide to truth. At one point, he shared a rather striking perspective: he said that people who believe in God are the highest tier of lifeforms, followed by animals, with people who don’t believe—especially those who “act like they are their own god”—ranking below animals. I couldn’t help but laugh internally, realizing that by his definition I must be beneath the neighborhood cats lounging in the sun! He meant no offense—his words were offered with sincerity and a desire to share his worldview. Still, I got the impression he didn’t realize we weren’t religious ourselves, or how his ranking might sound to an outsider.

Echoes of the Population Exchange

Our journey to Şirince village, perched on a hillside 8 kilometres from Selçuk, revealed one of Turkey’s most poignant historical legacies. This mountaintop settlement, originally called Çirkince (meaning “ugly” in Turkish), was supposedly named by its Greek founders to deter other settlers from discovering their mountain paradise.

The village prospered under its Greek Orthodox Christian population, who spoke primarily Turkish despite their religious identity. By 1908-09, over 1,000 houses sheltered Greek families who cultivated vines, tobacco, figs, and olives while maintaining their distinct cultural traditions.

The 1923 Population Exchange between Greece and Turkey devastated Şirince’s established community. This compulsory transfer, formalized in the Convention Concerning the Exchange of Greek and Turkish Populations, displaced approximately 1.6 million people based solely on religious affiliation. Greek Orthodox Christians from Turkish territories moved to Greece, while Muslims from Greece relocated to Turkey. The abandoned houses we encountered represent this traumatic displacement.

The Grandeur and Complexity of Ancient Ephesus

The archaeological site of Ephesus, directly connected to modern Selçuk, represents one of the Mediterranean’s most significant Roman cities. As we walked among its ruins during the intensifying heat wave, the scale and sophistication of this ancient metropolis became immediately apparent. A local restaurant owner’s joke about Efes beer – suggesting we walk a few kilometres toward ancient Ephesus since “Efes” is simply the Turkish name for the ancient city – highlighted how thoroughly this archaeological site integrates with the culture. The beer’s naming represents a modern commercial connection to ancient prestige.

The Temple of Artemis ruins, reduced now to a single reconstructed column, still commanded respect as the remains of one of the Seven Wonders of the Ancient World. Though little survives of this massive structure, which once measured 137 metres long and featured 127 columns each standing 18 metres high, the site’s significance resonates across millennia.

Ephesus declined through a combination of geographical and political factors. The Küçük Menderes River gradually silted up the harbour, cutting the city’s vital connection to maritime trade routes. Natural disasters, including a devastating earthquake in 614 CE, damaged infrastructure repeatedly. The rise of Christianity displaced traditional pagan worship, while Gothic invasions in 262 CE destroyed much of the city, including the Temple of Artemis

I was captivated by how Ephesus’s grandeur was engineered. The ancients combined brute force and technical innovation. Iron pins and lead clamps held massive marble slabs together, damping seismic shocks and locking the city’s great structures in place (though unlikely they knew how well that method would stand up to an actual earthquake).

We realized that knowing Latin wouldn’t have helped us decipher most Ephesian inscriptions. The city’s later inscriptions switched entirely to Greek—the region’s lingua franca after Alexander the Great’s conquest. An odd feeling – usually we lament not knowing Latin, but this time, it wouldn’t have helped at all. Amid these weighty ruins, we saw samples of the ichthys fish symbol (colloquially known as the Jesus fish symbol), scratched into ancient stones, symbolizing early Christianity. In Greek, it’s written as ΙΧΘΥΣ, and is sometimes seen abbreviated using a symbol resembling a pizza cut into eight slices.

The Temple That Bridged Empires

Among Ephesus’s countless architectural treasures, the Temple of Hadrian stands as a masterpiece of cultural synthesis. This elegantly proportioned structure, built around 117 CE, demonstrates how Roman architects embraced and transformed Eastern design traditions through its distinctive Syrian arch.

The temple’s facade tells multiple stories through stone. Tyche, goddess of city fortune, crowns the keystone wearing walls as her crown, symbolizing her protection over Ephesian prosperity. Above the inner doorway, a relief of Medusa emerges from acanthus leaves – not the terrifying monster of myth, but a protective figure surrounded by the Mediterranean vegetation that inspired Corinthian column designs.

Roman Domestic Life Preserved in Paint

The Terrace Houses of Ephesus shattered our expectations of ancient Roman domestic architecture. These luxury residences, inhabited by wealthy families from the 1st to 7th centuries CE, revealed that Roman homes were far more colourful and sophisticated than typical stone ruins suggest.

The houses featured extensive frescoed walls with floral motifs, geometric patterns, and figurative scenes painted directly onto plaster surfaces. Archaeologists have carefully restored many of these paintings, revealing the artistic sophistication of domestic Roman decoration. The mosaic floors display intricate geometric and figural designs, demonstrating the high level of craftsmanship available to Ephesian elite. These restorations represent authentic ancient artwork, not modern interpretations.

The houses incorporated sophisticated engineering, including hypocaust heating systems that circulated warm air beneath floors and within walls, and plumbing that provided both hot and cold running water. These amenities matched those available in Roman public baths, demonstrating the luxury standards of Ephesian wealthy families.

The Library That Conquered Death

The Library of Celsus stands as Ephesus’s most iconic structure, and deservedly so. This magnificent building, constructed between 110-135 CE, served the dual purpose of housing scrolls and honouring the dead. Tiberius Julius Aquila commissioned the library as a memorial to his father, Tiberius Julius Celsus Polemaeanus, who had served as Roman consul and proconsul of Asia. The building functioned as both a repository of knowledge, holding approximately 12,000 scrolls, and as Celsus’s mausoleum – his marble sarcophagus rests in a crypt beneath the building.

Fire destroyed the library’s interior around 262 CE, though the façade survived until earthquakes brought it down in the 10th or 11th century. Austrian archaeologists reconstructed the façade between 1970 and 1978, creating the impressive sight that draws crowds today for both daytime visits and evening light shows.

As we left, we saw people lined up for hundreds of meters lining up to see the evening light show – many of them coming in from cruise ships.

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